Eve’s Bayou (1997)

There wasn’t a lot I knew about Eve’s Bayou going into it, other than that it was Roger Ebert’s favorite film of 1997. For a long time, this seemed a bit odd, since it’s been a fairly obscure little movie for most of its existence, though its status as a major studio film directed by a Black woman has made it more and more of a vital rarety over the years. It’s another movie that doesn’t quite fit into the horror genre, but also is just as hard to pin to any other genre. It has the feel of a straightforward family drama, but by throwing in elements like voodoo and predestined murder it has a slightly sinister edge to it. So in that regard, it’s easy to see why it was such a hard movie for people (other than Roger Ebert) to make sense of at the time, but remains a hauntingly assured debut from Kasi Lemmons.

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Amer (2009)

This might be the most in the dark I’ve ever been going into a Shocktober pick. Though there were two big reasons I wanted to watch this movie. 1) This was included in “Fangoria’s 300 Best Horror Movies” list back in 2010. A list I’m still making my way through after all these years. 2) I saw a trailer for Let the Corpses Tan back in 2017 and knew I had to get around to diving into the work of husband and wife team Hélène Cattet and Bruno Forzani at some point

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Pet Sematary (1989)

I’m sure there is a pretty large portion of film fans that are, like myself, only familiar with Stephen King through his movie adaptations. This is not due to a lack of curiosity, since I probably should get around to reading one of his books eventually. But since the horror genre is one I’m more than happy to spend time with for an hour or two in the form of a film, I guess I’m just a little less inclined to embrace the time commitment that comes with reading a novel in the same vein.

Also, it’s very easy to get acquainted with the world of Stephen King through his movie adaptations, since it’s hard to think of an author who has been adapted more, especially during the 80s, 90s, and briefly in the 2010s. I realize that it’s a little belittling to start this review off talking about a movie’s male originator, since the aim of this Shocktober was to highlight women directors. And though director Mary Lambert certainly is responsible for the movie’s effectiveness, it’s hard not for this to feel like one of King’s adaptations that he had the most sway over. Continue reading →

Jennifer’s Body (2009)

Needy Lesnicki (Amanda Seyfried) is a violent inmate in an asylum who is convinced the people running the place are trying to keep her placid with shitty food and frequent exercise. She’s not having any of that, so she assaults someone and gets thrown into solitary confinement. It seems hard to believe that not too long ago she was an insecure student at a small town high school. Just what the hell happened here?

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Messiah of Evil (1973)

I chose Messiah of Evil as my first entry for this year’s Shocktober for the talent involved. I’m referring to husband and wife writing/directing team Willard Huyck and Gloria Katz. The pair is best known for co-writing American Graffiti with George Lucas. They were also the screenwriters behind Indiana Jones and the Temple of Doom and surprisingly, were script doctors on the original Star Wars. It’s believed that Huyck and Katz were responsible for fixing most of Leia’s dialogue and making her a more comedic character. They also wrote and directed Howard the Duck. Though we do not speak of such evil on this website.

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