RIP Joey Molland

Earlier this week, I found myself perusing Todd Rundgren’s Wikipedia page, going down my usual rock ’n’ roll rabbit hole searching for half-useful trivia tidbits. For example: Did you know Rundgren used to play a psychedelic-painted Gibson SG called “The Fool,” which Eric Clapton used during his time in Cream? The more you know.

Scrolling through Rundgren’s long list of production credits, I was reminded of his work with one of my favorite ‘70s bands: Badfinger. The band behind such hits as “Come and Get It” [1969, #7 US], “No Matter What” [1970, #8 US], “Day After Day” [1971, #4 US], and “Baby Blue” [1972, #14 US], the latter immortalized as the closing song in the final episode of Breaking Bad.

Then I learned something shocking: on March 1st, 2025, Joey Molland, the last surviving member of Badfinger’s classic lineup, passed away due to complications from diabetes. He was 77, and died where he had lived for the last four decades in St. Louis Park, Minnesota. As a fan of classic rock, this hit me hard.

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The Pick: Barbarella

After talking about Flash Gordon two episodes ago, it seemed only fitting that we review Barbarella, producer Dino De Laurentiis’s first foray into sci-fi comic book adaptation. Of course, this one has a much dirtier mind, stemming from director Roger Vadim’s eagerness to bring campy eroticism into the far reaches of space with the help of then-wife Jane Fonda. We delve a bit into the film’s deeply ’60s vibes as well as how the charismatic Fonda salvaged such a bizarre amalgam of counter-culture influences into something watchable. We also test our knowledge by trying to guess the highest-grossing sci-fi films that were released in that wild west of sci-fidom that predated Star Wars. Continue reading