The People’s Bonus Album: Human Clay

We’re very close to finally breaching the Top 10 People’s Albums and I probably could’ve just skipped doing another bonus entry in order to keep moving forward. But, this is the most drawn-out countdown of all time, so of course I have to do another bonus entry so I can end this thing with an even 50. Also, this particular album is one that I was dreading whether I would have to eventually write about, but I’m choosing to bite the bullet and admit that me and this album have more of a history than I’d like to admit.

Album: Human Clay
Artist: Creed
Release Date: September 28, 1999
Copies Sold In The U.S.: 11.7 million

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Criterion Month Day 30: The Worst Person in the World

The Worst Person in the World (2021)

I wanted to close out Criterion Month with my best review yet. Finally, my opportunity to say something profound! So naturally, I pick a movie where I have no idea what I want to say. The Worst Person in the World wasn’t the movie I was expecting (in a good way). I expected something tongue-and-cheek (which it is from time to time) but not something this heavy with a message that so strongly speaks to my generation. So let’s go, watch me stumble through this one.

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Criterion Month Day 29: Cold War

Cold War (2018)

As we close out this year’s Criterion Month, it seems that we’ve hit upon a theme that all of our last few movies share. Namely, we’ve been reviewing a lot of movies about relationships spread out over a long period of time, which allows us to see the ways in which time and the growth of these characters impacts their relationships. This is quite a literal aspect of the Before trilogy, as we see how the actors/writers’ experiences with love and the passage of time influenced the series. However, Love & Basketball, The Worst Person In The World, and today’s entry Cold War, also explore this same idea, as we see the ways in which people fall in love over the years, then out of love, and then re-enter each other’s lives in one way or another. Continue reading

Criterion Month Day 28: Before Midnight

Before Midnight (2013)

And so the trilogy comes to a close. At least that seems to be the case considering Richard Linklater missed the window. What I mean is that all three Before films were released nine years apart from each other. Meaning 2022 would have been the year for “Before Noon” (my title idea, not theirs). It doesn’t look like that’s gonna happen but there was talk.

What I read was that Richard Linklater, Julie Delpy, and Ethan Hawke couldn’t come up with a good enough idea within the time frame. So the series isn’t dead per se. Linklater has spoken of the possibility of a future short film or maybe a film where the pair are elderly. I love to hear it, but Linklater has to stop lining up projects he may not live to see (Look up Merrily We Roll Along and you’ll see what I mean).

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Criterion Month Day 27: Before Sunset

Before Sunset (2004)

Every time I see the first installment of a solid superhero flick I think the same thing, “That was good but I bet the next one will be better.” That’s because the first installment of most superhero flicks are origin stories. We have to introduce the character, see how they get their powers, watch them learn to use their powers, you know the routine. But when the second installment rolls around, the heavy lifting is done. We know the character and what they’re capable of so we can focus on the meat. That’s how I feel about Before Sunset, Richard Linklater’s 2004 sequel to the 1995 romantic drama Before Sunrise. Sunrise is a nice appetizer. Sunset is a meal.

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Criterion Month Day 26: Love & Basketball

Love & Basketball (2000)

Love & Basketball is one of those Criterion movies that you always love to see enter the Collection, since it is a bit more of a crowd-pleaser, if a very well-made one. It’s also the type of Criterion movie that we rarely review during these months since our fairly mainstream tastes mean we’ve probably seen something like a Love & Basketball. While I’m not sure there’s anything revolutionary about this movie, it’s impressive in that it manages to inhabit a few different genres and pretty much nails all of them. This is a romantic movie that is pretty romantic, a sports movie that’s often insightful and thrilling, and a coming-of-age movie that evokes those bittersweet emotions of finding your way in the world. You would think it would’ve immediately established director Gina Prince-Bythewood as a new reliable force in studio filmmaking, but of course, that’s never an easy path for a young woman in Hollywood. Continue reading

Criterion Month Days 24-25: Irma Vep & The Last Days of Disco

Once again I’m using a vague thematic connection to combine two reviews into one and cover for the fact that I waited too long to watch these movies and then became busy with other things when I should have been writing. In this instance, it’s two slightly different, unusual takes on life in the mid-Nineties. One is Irma Vep, which is specifically about the French film industry as it was in that era. The other is The Last Days of Disco, which is actually set in the “very early” Eighties but oozes Nineties sensibilities (and a fair bit of retrospective dramatic irony). Well, chances are I won’t even get this condensed double feature up before midnight so let’s not waste any more time and get jiggy with it!

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