Only in New York! This week we’re taking a look at a decidedly sinister and satanic look at NYC with the supernatural lawyer oddity that is The Devil’s Advocate. We discuss both Keanu Reeves’s perplexing accent as well as how Al Pacino arrived at the bombastic persona he embraced in the ’90s. Pacino’s turn as Satan himself (which isn’t really a spoiler) earns the actor a slot in our Three Timer’s Club while also becoming another one of our latest villains bent on committing omnicide. Continue reading
We’re a little late in posting this tribute to the late, great William Hurt. But hey, it’s always a good time to get in the tank. This episode, we go deep into this hard-to-classify sci-fi/horror oddity about a university scientist who goes from experiments in sensory deprivation tanks to drug-induced hallucinations to becoming a violent monkey man. It’s a movie made by a bunch of guys who seem a little too smart and talented for this material, and yet make it all the more fascinating in the process. Continue reading
This month was another strong one as far as albums go, so I guess I’ll once again talk about some of my favorites. I’ll also give a shout-out to albums that I liked, but I just didn’t get around to listening to enough to make sense of how much I liked them. Those include: Wild Loneliness by Superchunk, Squeeze by SASAMI, and Running with the Hurricane by Camp Cope. Meanwhile, How Is It That I Should Look At The Stars by The Weather Station is a nice little companion piece to last year’s fantastic Ignorance, but feels a little too low-stakes for it to really stand out on its own. Continue reading
94th Academy Awards (2022)
Wins: We’ll see…
It’s strange to remember that when this week began, just a few days ago, I had never seen West Side Story. I knew some of the songs, like “I Feel Pretty,” “Maria,” and “America,” but I’m not sure if I knew they were all in the same musical. I knew that it was inspired by Romeo and Juliet (“inspired” is an understatement) with the Montagues and Capulets replaced by dancey finger-snappin’ hoodlums called the Jets and the Sharks. And I knew from a 2007 episode of Curb Your Enthusiasm that there was a character named Officer Krupke that inspires the phrase “Krup you!” I really think that’s it. That’s all I knew. Until my life changed forever on Monday when I finally watched the 1961 film adaptation and have had this extremely theatrical version of Manhattan playing on repeat in my head ever since.
The 76th Academy Awards (2004)
It’s funny seeing what films at what times resonate with the Academy. Apart from the prestige of Mystic River being a Clint Eastwood film, I’m not sure what else it brings to the table. It has big performances that border on laughable. The story makes no sense. The mystery is shaky at best. Yet, it is n engaging thriller at times. Like an airport novel. Which makes sense considering it was adapted from what was essentially an airport novel. Some people just like a good time. Also, didn’t it seem like there was unusual interest in Boston in the mid-2000s? The Departed, anyone? Is it just me? Well, let’s get into it ya wicked pissas.
The 72nd Academy Awards (2000)
It’s weird to think there was a time when cigarettes were deemed equally dangerous as fast food. Joe Camel was in ads all the way up to 1997. People knew cigarettes were addictive but not how addictive. The story behind The Insider is an important building block in the campaign for the truth behind cigarettes. This is the story of Dr. Jeffery Wigand (Russell Crowe) who in real life was a whistleblower after revealing that his company, Brown and Williamson Tobacco Company, was tampering with cigarettes to make them more addictive. It’s also the story of Al Pacino with big hair yelling a lot.
The 66th Academy Awards (1994)
Initially, my reasoning for picking The Piano to review was pretty obvious, as just like back in 1994, Jane Campion has one of her career-best films in the Oscar race this year. However, I became a little nervous about this pick after Campion made that weird comment about the Williams sisters at the Critic’s Choice Awards. Though she’s apologized since then and it seems the Oscar news cycle has moved on to claiming CODA as the frontrunner now? I don’t know. Anyways, even if The Power of The Dog doesn’t win a ton of Oscars, it’s in good company with The Piano, a simply ravishing and sensuous work that didn’t do so bad Oscar-wise considering it was up against Schindler’s List at the 66th Oscars. Continue reading