Sean Lemme

Shocktober: Agatha All Along

Agatha All Along

Miniseries
Original Air Date:
September 18–October 30, 2024

Note: I’m writing this before Agatha All Along‘s two-part finale, which comes out later this week. Marvel shows are notorious for dropping the ball right at the end, so keep that in mind. Maybe everyone will be really mad at this show tomorrow!

Three years after WandaVision, Agnes of Westview is a crime noir series about Agnes O’Connor (Kathryn Hahn), a surly detective working a Jane Doe case in Westview, New Jersey. At least, that’s what The Scarlet Witch wanted Agnes to believe when she escaped the hex at the end of WandaVision. Actually, Agnes is a performance that the witch Agatha Harkness is being forced to perform and the rest of the town humors because what else are they going to do. Her running around town with a hose nozzle in a holster isn’t hurting anyone. But all good things must come to an end, and a mysterious goth teen (Joe Locke) appears and helps wake Agatha up from the spell. The teen wants Agatha’s help finding the Witches’ Road, a trial that rewards witches what they desire most, which Agatha has survived once before. She’s not interested, but that’s when the green witch Rio Vidal (Aubrey Plaza) shows up and tries to kill her.

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Shocktober: “The 20’s”

This Is Us: “The 20’s”

Season 2, Episode 6
Original Air Date:
October 31, 2017

Unlike most of the shows I’ve watched this Shocktober, I actually do have some familiarity with This Is Us, albeit for dumb reasons. Earlier this year, my YouTube algorithm started recommending I watch clips of the most emotional scenes from this series that ended in 2022 and I obliged the machine, as I am wont to do. Watched out of order and context, I saw enough to pick up the gist of the show and it’s characters. It’s a show about three siblings and their parents. My understanding is that every week, This Is Us would employ a technique now popularized by our diabolical criminal ex-president, “the weave,” to juxtapose pivotal moments in the lives of this family across decades. So, for example, you’ll see the siblings fight over something as kids and then support each other in the modern day, having learned some lesson from their great dad or whatever. Basically it is a well-oiled machine designed to make you cry. But does that actually make for good TV?

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Shocktober: “Search and Seizure”

The Practice: “Search and Seizure”

Season 2, Episode 7
Original Air Date:
October 25, 1997

And now for a little more from the twisted mind of David E. Kelley. Kelley created The Practice as a rebuttal to his Doogie Howser buddy Steven Bochco’s L.A. Law, which Kelley felt overly romanticized the American legal system. If Halloween special “Search and Seizure” is anything to go by, Kelley massively succeeded in making an unglamorous legal drama. In this episode alone the lawyers are sexually assaulted, witness an illegal arrest, bribed by drug dealers, fail at subverting Roe v, Wade, and forced a moral dilemma where they have to choose between faith, ethics, and the law. It’s quite a lot and hard to imagine how this evolves into the borderline comedy of Boston Legal by the end.

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Shocktober: “Girls Just Wanna Have Fun”

Xena: Warrior Princess: “Girls Just Wanna Have Fun”

Season 2, Episode 4
Original Air Date:
October 21, 1996

Xena always seemed like a logical next step for me after I finished Buffy and Angel all those years ago, but I never made the leap. In fact, all I really knew about Xena was she uses a metal frisbee as a weapon, she yells in a distinct way when she does finisher moves, and the opening credits are edited like a movie trailer. Oh and it’s as gay as a show on… WB? USA Network? Whatever this was on was allowed to be in the mid-Nineties. Which, if “Girls Just Wanna Have Fun” is anything to go off of, is pretty gay.

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Shocktober: “When Irish Eyes Are Killing”

Lois & Clark: The New Adventures of Superman: “When Irish Eyes Are Killing”

Season 3, Episode 4
Original Air Date:
October 15, 1995

When John suggested we do another year of TV specials for Shocktober in honor of I Saw the TV Glow, I went straight to Wikipedia’s incredibly thorough list and started looking for any shows that were on my radar. The one that stood out the most was Lois & Clark: The New Adventures of Superman, probably the most significant piece of Superman media left that I still know nothing about. Aside from this show’s modern reboot, Superman & Lois, I’ve never been that interested in the Man of Steel’s live action TV dramas, his super powers just did not ever seem conducive to television’s low budgets. But I did have some knowledge of Smallville and the Arrowverse content and I even read up on George Reeves’ Adventures of Superman back when Hollywoodland came out. It’s just this Dean Cain/Teri Hatcher thing that I remained totally ignorant of.

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Criterion Month Day 30: Perfect Days

Perfect Days (2003)

Do you know what your perfect day would be? I’m not talking about like Ferris Bueller’s Day Off or the best Christmas ever or getting invited to the ultra-hot-people-only orgy. I mean what would your perfect, random, workday, Wednesday be like? I imagine for most of us it would be pretty simple, something like: wake up rested, have a nice breakfast, nothing weird happens at work, maybe lunch in the park or some shit, and have a little time to relax before going to bed and starting it all over again the next day. For better or for worse, days like that *should* make up the majority of our lives. And yet, if I’m speaking for myself, I don’t give myself the gift of perfect days nearly often enough. Far too often I wake up exhausted or spend too much time about stressing going to the gym or put off doing work and chores and preparing food. It keeps me hanging on. I should change that, yeah?

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Criterion Month Day 28: Anatomy of a Fall

Anatomy of a Fall (2023)

Justine Triet’s Oscar-winning Anatomy of a Fall beguiled audiences last winter with one of cinema’s most unforgettable performances. I’m of course talking about Messi, the Border Collie whose believable overdose scene has been called “the greatest acting performance of my life” by Ayo Edebiri. It’s a thrilling debut by an assured rising star who spent the whole award season laughing it up with Hollywood’s biggest names. He even returned to Cannes this year as a reporter, talk about flipping the script. Yes, his future is almost as bright as those blue eyes but, aside from Messi, does Anatomy of a Fall having anything going for it?

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