It’s satisfying to find any connective tissue that exists between our Criterion Month selections, especially well after we’ve drafted them. So imagine my delight when a very particular line in the middle of After Hours triggered me, and I went on Wikipedia and found, against all odds, that one of the inspirations for this movie was The Trial by Franz Kafka, the film adaption of which I just posted about. You see, in After Hours there’s a scene where Paul (Griffin Dunne) is trying to get into a club and its bouncer (Clarence Felder) won’t tell him why he’s not being allowed in. Paul offers the bouncer a bribe and he takes it but claims its only because he doesn’t want Paul to feel he “left anything untried.” That is a direct reference to “Before the Law” from The Trial (and specifically the wording from Welles’ version), a reference Scorsese included because he believed Kafka’s parable reflected his own frustration with trying to get The Last Temptation of Christ made. Fuckin’ A, right?
Sean Lemme
Criterion Month Day 9: Ebirah, Horror of the Deep
The only HOTD I’m interested in this summer is Ebirah, Horror of the Deep! That wasn’t always the title to the seventh film in the Godzilla franchise, which is known in Japan as “Godzilla, Ebirah, Mothra: Big Duel in the South Seas.” But you might know it better as “Godzilla vs. the Sea Monster,” the American version of the movie from 1968. It’s that release that eventually became an episode of Mystery Science Theater 3000, the only time Big Green got the MST3K treatment. Which makes sense, Godzilla fighting a giant lobster doesn’t sound as interesting as a three-headed dragon or a very large moth. But does this HOTD warrant a second look? Or is it just see-food?
Criterion Month Day 4: The Trial
Hello and welcome to my annual attempt at contributing to Criterion Month! This year, not only did I have the advantage of an extra month to prepare but also I drafted way more recent movies than Colin and John on average, so I had a light load to begin the month too. And yet… I still didn’t finish watching my first movie until just about midnight on the day I was supposed to post about it. What can I say at this point? You can’t teach an old dog new tricks?
Oscars Fortnight: Past Lives
The 96th Academy Awards (2024)
Nominations: 2
Wins: –
What do Casablanca, Titanic, Brokeback Mountain, Atonement and Call Me By Your Name, all have in common? They all were nominated for Best Picture, of course! But beyond that, they’re all tragic romances about missed connections. The right people meeting at the wrong time. This year’s Past Lives participates in that proud tradition but very much in a cool, In the Mood for Love slow, unspoken way. Will that be enough to bring first time writer-director Celine Song Oscar gold in a few weeks? Probably not but it’s nice to dream.
Oscars Fortnight: American Fiction
The 96th Academy Awards (2024)
Nominations: 5
Wins: –
I’m really glad I saw American Fiction in theaters. Based on the 2001 novel Erasure by Percival Everett, this is a tricky movie because it openly challenges audiences (especially white audiences) to question their taste. It’s the story of an author choosing to forgo artistic integrity and self-respect in favor of people-pleasing drivel, and how that farce leads him to unbelievable success. So then when I watched it, I couldn’t help but wonder how in on the joke was I? Am I watching a satire or is the real satire that American Fiction is garnering critical praise and award nominations? Thankfully, I saw it with a crowd who were engaged and laughing at the jokes, so I was able to remember the important thing: if I’m having a good time, the rest doesn’t matter.
Oscars Fortnight: Promising Young Woman
93rd Academy Awards (2021)
Nominations: 5
Wins: 1
If you don’t mind, let me jump us forward now all the way to the pandemic, that ghastly period which, among the many, many tragedies, snatched away a normal release for Emerald Fennell’s feature debut after a successful premiere at the Sundance Film Festival. Denied its scheduled April theatrical run, Promising Young Woman ended up limping into theaters on Christmas Day and went onto VOD a couple weeks later. You might think that was a tough go for a low-budget indie, but actually I think this worked out great because I can’t imagine a better time for a movie like this than a year after Joker.
Oscars Fortnight: Marty
28th Academy Awards (1956)
Nominations: 8
Wins: 4
Well, I’m sorry to report that none of this year’s best picture nominees are remakes of previous Oscar-winning best pictures, which means I needed a new gimmick for the 2024 Oscars Fortnight. The one I settled on were best picture nominees that were made by first-time directors, since there are actually two of them up for the award this year, American Fiction and Past Lives (I’ll be writing about both). Now, you may be wondering, how often does someone’s first feature get nominated for film’s most prestigious award? I don’t know! I didn’t find a comprehensive list anywhere, but I know some of the movies we’ve already covered, like Citizen Kane and Dances with Wolves, were directorial debuts so it can’t be insanely rare. Who cares? All that really matters is I got the perfect movie to watch around the Valentines season, so let’s get into Marty!