Colin Wessman

I love those oldies and hoagies, give me some beefcakes and cheesesteaks

Colin’s Favorite Albums of Winter 2026

Well, it’s a new year and I’m not getting any younger. It’s always hard to know when exactly the right time is to start digging into new albums and trying to make sense of what’s worth listening to. Especially when I often find myself listening to new albums just for the sake of turning the page on the previous year and trying to embrace the new sounds of the future. During a lot of my year-end music coverage of 2025, I talked about how it was a little harder to get as much joy out of music as I had in years past, but so far I’m not feeling quite that way about 2026, even if the world’s just as much of a mess as ever. Either way, I’ve already found plenty of albums to keep me chugging along through the frigidly cold months of this East Coast Winter. Luckily, it’s officially Spring and now we can all actually turn a new leaf, since turning a new leaf on a year doesn’t mean much when you’re stuck inside clinging to your proverbial radiator.

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Oscars Fortnight: Tender Mercies

Tender Mercies (1983)

56th Academy Awards (1984)
Nominations:
5
Wins: 2

We end our shortened week of Oscar reviews with the type of film that usually pops up here or there at the Oscars each year. I’m talking about the small film that serves as an actor’s showcase, and thus gets its star nominated for an acting Oscar, but rarely also gets nominated for Best Picture. Well, that wasn’t the case with Tender Mercies, which nabbed a Best Picture nom as well as a second Best Screenplay Oscar for Horton Foote. But when you get down to it, this is a film built around an Oscar-winning performance by Robert Duvall, an actor who was never entirely built to be a leading man, but in a low budget, unshowy film like this, gets to show all that he’s capable of. This was very satisfying to see in the wake of his recent passing, especially when I’m sure we’ll get to see this prolific actor mentioned in the “In Memoriam” section of the Oscars tonight.

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Oscars Fortnight: Gigi

Gigi (1958)

31st Academy Awards (1959)
Nominations:
9
Wins: 9

When getting into classic movies, the films that really got me hooked on the musical were the ones put out by MGM in the ’40s and ’50s, and particularly the ones produced by Arthur Freed. These encompassed films like Meet Me In St. Louis, On The Town, The Band Wagon, Singin’ In The Rain, and Best Picture Winner An American In Paris, among many others. The other Best Picture to come out of Freed’s mini-empire was 1958’s Gigi, a film I’d never felt all that compelled to see since it’s never been talked about in the same category of classic musicals the way the other films I just named are.

However, it became apparent why this was when I was talking to a friend who’d stumbled onto it in a bar and watched it in its entirety later out of curiosity for its creepy overtones and extravagant production value. Well, I can now say that the plot is indeed pretty uncomfortable to wrestle with, though its milquetoast Hayes Code-era treatment explains why it went down so easy with audiences at the time, in addition to its very accomplished pedigree behind the camera.

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Colin’s Top 10 Movies of 2025

2025 was a pretty good year at the movies for me, even if it didn’t seem like that great of a year for the industry as a whole. It probably speaks to that fact that I saw like 3 movies that I would’ve considered mainstream blockbusters over the course of the year. But as far as the types of smaller, more thoughtful films I like to seek out, there was plenty of good stuff to go around. I truly don’t know what to think of the increasingly bleak state of the theater industry, because this year I saw probably 75% of the movies I saw last year in theaters, and I’m not really sure what the point of movies are if not for the theatrical experience. Well, here are the movies that made me happy to go get lost in the dark of a half-empty theater.

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Colin’s Top 5 TV Shows of 2025

That’s right. Once again, I did not watch that much TV over the course of the last year, so I’m keeping it to a top 5 again. I came close to watching 10 shows this year, but couldn’t quite muster up the will to marathon Andor after putting off watching it for nearly half the year. Which isn’t to say there weren’t TV shows I enjoyed in 2025, since I feel good about the 5 I’ve chosen. I just think I ended up making a concerted effort to spend more time on hobbies that forced me to stop looking at screens in 2025, and it was hard for TV to not feel like just another distraction that could be easily interrupted by another distracting screen. Anyways, here are the shows I couldn’t turn away from. Continue reading

Colin’s Top Ten Albums of 2025

Well, here we are again, looking back at the year in pop culture in the form of various lists, just as we have been for the last 17 years. I already made it fairly clear in my year-end wrap-up posts that 2025 wasn’t exactly a banner year for music or the world at large. But at the same time, there were plenty of albums I was able to find something to like about, even if it often felt like the year was filled with far more disappointments than pleasant surprises.

But that’s not what this list is for. This for the albums that made a rough year a little less rough, and if I’m being perfectly honest, I found myself feeling a bit better about the year in music the more I delved into what was remarkable about it. Maybe that’s just the feeling I’m having toward turning over the new leaf of a new year, even if there’s just as much uncertainty about what this one will look like. But hey, here’s my attempt to not look back in anger.

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2025 Music Recognized: The Year In Discoveries

For my final entry in these year-end looks back at 2025 in music, I figured I’d end on a hopeful note by touching on the artists that make me optimistic about the future of music. These are the artists I would consider discoveries — artists who came out of nowhere and impressed me with their latest albums despite not having any familiarity with them previously. It of course feels harder and harder to discover up-and-coming artists these days, since the algorithm tends to just point you toward whatever artists various music companies want you to invest your time in. But luckily, it is still possible for new voices to break through the status quo, and here are the albums that caught me by surprise. Continue reading