October 2019

There were 31 posts published in October 2019 (this is page 5 of 5).

Shocktober Day 3: Piranha 3D

Piranha 3D (2010)

Could a movie like Piranha 3D (not to mention Piranha 3DD) get made today? It’s a weird thing to think about, considering it came out in the same decade we’re currently in. But making a movie with such overt male horndog elements to it was pushing it in 2010, and now feels even more in line with the B-movie tropes of a completely different era. Though, that does hint at how enjoyable the film is if you don’t take it too seriously (which it clearly doesn’t want you to), since this is exactly the kind of dumb fun that your inner 13-year-old will thank you for. Continue reading →

Shocktober Day 2: Shutter Island

Shutter Island (2010)

Our decade of terror nearly missed out on having a Martin Scorsese movie, as Shutter Island was originally slotted to be released in October 2009 before being pushed back to February 2010. The reason given at the time? The recession was hitting too hard and Paramount needed something to help buoy their slate in the early part of the new year. So they pushed the movie with the bankable star and acclaimed director based on a book from a famous author. This announcement came about a month after Universal similarly moved their Wolfman movie from November 2009 to February 2010. Both these developments were covered on a humble blog in the form of tastefully titled reviews. I bring up these things not because they are interesting, but because I found it horrifying how long ago a decade can feel in our breaking-news-every-15-minutes world.

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Shocktober Day 1: Julia’s Eyes

Julia’s Eyes (2010)

If a film opens with “Presented by Guillermo del Toro” you know you’re in for something interesting. I’d go as far as to say del Toro’s name carries more promise than a “Presented by Quentin Tarantino” or any modern film that’s “Presented by Steven Spielberg”. I love Tarantino but when his name is attached to a film he didn’t direct it’s always trashy exploitation you find in a bin at 7/11. Spielberg produced a lot of great movies (and cartoons) in the ‘80s and ‘90s but it’s always been mainstream low-risk, blockbusters. Del Toro is far more niche. When del Toro attaches his name to a project you know it’s a story that resonates with him on a personal level. Del Toro loves stories with whimsy and dark fantasy. Films that find beauty in dark places. Much of which could be used to describe today’s film, the 2010 Spanish Horror-Thriller Julia’s Eyes.

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