The English Patient (1996)

The 69th Academy Awards (1997)
Nominations: 12
Wins: 9

Probably not the most appropriate review to accompany today’s news, considering this is a very white person movie. But hey, my Guess Who’s Coming To Dinner review is still sitting there for the reading if you want.

Anyways… going into The English Patient, I wasn’t really sure what to expect, since the two things I equate this movie with don’t actually have much to do with the content of the film itself. One big thing about this movie for me is that it took home a bunch of Oscars at the first Academy Awards ceremony I can remember watching live on TV. Granted, it’s not like its ability to bring home the gold inspired me to seek it out (until now), since I wasn’t exactly interested in a sweeping romantic epic at the age of eight. As you could probably guess, the other thing I equate with this movie is the episode of Seinfeld called “The English Patient”, where Elaine Benes is driven insane by being seemingly the only person in her life that doesn’t love the film in question. Continue reading →

A Few Good Men (1992)

The 65th Academy Awards (1993)
Nominations: 4
Wins: 0

A Few Good Men is totally 90s. It stars Tom Cruise and Demi Moore. It’s Rob Reiner. It’s got the Castle Rock logo—Seinfeld vibes intensifying. This is an era where a courtroom drama could be a top ten grossing film of the year (it was number 7 for 1992). I mean, it’s got the line. You know? The one about the truth! He can’t handle it! How many times has that been spoofed on The Critic?

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Chariots of Fire (1981)

The 54th Academy Awards (1982)
Nominations: 7
Wins: 4

When I chose the films I did for these Oscars reviews, I was not intending to chart the course of British films at the Oscars, but here we are. After dominating the Oscar conversations throughout the ’60s, the ’70s were a pretty fallow period for the UK film industry in terms of prestige. I’m sure much of this has to do with the sheer amount of groundbreaking films filled with sex and violence that were coming out of Hollywood that decade, while the Brits struggled to keep up. However, Chariots of Fire seemed to rejuvenate both the British film industry as well as its chances at the Oscars, as there were considerably more UK films going head-to-head with the Americans at the Oscars throughout the ’80s. This, of course, is fitting considering Chariots of Fire is the story of some scrappy Brits going up against the big bad Americans at the 1924 Olympics. Continue reading →

The Deer Hunter (1978)

The 51st Academy Awards (1979)
Nominations: 9
Wins: 5

I’ve wanted to watch The Deer Hunter for a long time for a lot of reasons. First and foremost, it’s the last of John Cazale’s film roles that I hadn’t seen, and the fact that all five movies he was in went on to get a Best Picture nomination meant this was the perfect opportunity to close that blind spot. It’s also coincidentally the second time he played a character named Stan. But Cazale might not even be the most interesting person involved in this production. That honor might go to his legendary costars: Robert De Niro, Christopher Walken, and Meryl Streep. Or it could be its director, Michael Cimino, who did so well with this that he went on to spearhead one of the biggest disasters in cinema history: Heaven’s Gate. Yes, the pedigree of the creatives behind The Deer Hunter sure make it an interesting movie. But also, on a less intellectual level, I was really curious about seeing those Russian roulette scenes.

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Guess Who’s Coming To Dinner (1967)

The 40th Academy Awards (1968)
Nominations: 10
Wins: 2

So 1968 is the Oscar year where everything changes. It’s the year where the Academy stops only nominating musicals and British period pieces (save for Doctor Dolittle) and starts nominating movies about what was happening in the culture, man. It’s an Oscar year so pivotal that Mark Harris wrote the book Pictures At A Revolution about the five Best Picture nominees in 1968 and how they reflected where Hollywood was at the time. While I had already seen The Graduate, Bonnie and Clyde, and In The Heat of The Night, I had never gotten around to Guess Who’s Coming To Dinner, probably because I’d assumed that its depiction of ’60s-era race relations wouldn’t hold up that well. However, I was actually quite surprised how deftly this movie handles its complicated subject matter. Continue reading →