Criterion Month Day 5: Il Sorpasso

Il Sorpasso (1962)

An uptight person and a free spirit get in a car together, set off on the open road, and hijinks ensue. There are lots of types of road movies, but this formula feels like the most pure to me. I’m not sure how many movies tried this approach before Il Sorpasso, but I have to assume it wasn’t the first to attempt this dynamic, even if there’s still something so fresh about this movie that it feels like it might as well have invented the modern road dramedy. Which is a little odd to say, since it also embodies a very specific time in Italian history and filmmaking, where the neorealism of the country’s post-World War II morphed into something lighter and more carefree, as the country’s economic boom saw its citizens livin’ la dolce vita. Continue reading →

Criterion Month Day 4: The Trial

The Trial (1962)

Hello and welcome to my annual attempt at contributing to Criterion Month! This year, not only did I have the advantage of an extra month to prepare but also I drafted way more recent movies than Colin and John on average, so I had a light load to begin the month too. And yet… I still didn’t finish watching my first movie until just about midnight on the day I was supposed to post about it. What can I say at this point? You can’t teach an old dog new tricks?

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Criterion Month Day 3: Invention For Destruction

Invention For Destruction (1958)

In Criterion Months past, I reviewed two films in the box set, Three Fantastic Journeys by Karel Zeman. The first film I reviewed was Zeman’s 1962 adaptation of the folk tale The Fabulous Baron Munchausen, while a couple years later I reviewed Zeman’s recreation of prehistoric times in Journey To The Beginning of Time. With this entry, Invention For Destruction, I complete the trilogy of films in this box set as well as all of Zeman’s films in the Criterion Collection, and in the process have found what may be my favorite of the three. If nothing else, it’s the one that I find the most visually striking, as it sticks to a very specific visual milieu. And though it’s occasionally lacking in the storytelling department, it quite simply has some of the most stunning special effects in movies I’ve ever seen. Continue reading →

Criterion Month Day 2: The Incredible Shrinking Man

The Incredible Shrinking Man (1957)

My first entry this Criterion Month is very steeped in the sci-fi of a very particular era – the 1950s, which was influenced by American paranoia over nuclear destruction and saw the rise of aliens from another world, giant insects, and creatures from black lagoons. 1957’s The Incredible Shrinking Man, focuses on something not quite as spectacular: a man who, as you might guess, can’t stop shrinking. It’s a fairly straightforward premise, but in the hands of B-movie maverick Jack Arnold and writer Richard Matheson, it becomes something as unsettling (and entertaining) as anything the era produced. Continue reading →

Criterion Month Day 1: Riot in Cell Block 11

Riot in Cell Block 11 (1954)

Welcome to Mildly Pleased’s 8th Annual Criterion Month! Yet again, Sean, Colin, and I will be reviewing stuffy, artsy, and probably long movies from the Criterion Collection for a whole month. So put down those sunglasses, drop that surfboard, and dim the lights—for cinematic purposes (not romantic). Pop some corn and join us for a journey into the world of le cinéma (the cinema).

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The Eighth Annual Criterion Month Draft

It’s that time of year again! Well, sort of. This year we’re pushing our annual Criterion Month back a month due to summer travel plans, which will perhaps give us time to buy some of the blu rays on sale at Barnes & Noble’s July Criterion Sale? Who knows, but one thing we do know is that we’ve stuck to the same format of picking our movies to review each year. We each take turns selecting our films over the course of a podcast and then struggle to describe what these movies are about. But that’s ok! We haven’t seen them yet, but luckily a sense of discovery will prevail during the ensuing month as we find out why these films are deserving of being in the Collection. Continue reading →

Colin’s Favorite Albums of 2024 (So Far), Pt. 2

Now let’s take a look at some of the more recent albums that transitioned us from Winter to Spring to Summer. As you may notice, a lot of these albums are a bit more high profile or ones I had already been anticipating, but well, those are just the albums you end up listening to the week (or month) of their release. Hopefully, there will be a few more low-key albums out there from this first half of the year that I’m able to catch up with as the year progress. And who knows, maybe I’ll end up writing about them at year’s end.

For the first three albums, I don’t need to go too in-depth with them, since I already praised them on episodes of The Pick. But they’re albums so nice, they’re worth talking about twice. Continue reading →