
Every time a new Oz Perkins movie comes out, I get excited, and every time, I leave feeling like I watched a missed opportunity. I loved the look and style and dark humor of Perkins’ King adaptation The Monkey, yet it left me cold. The same goes for Perkins’ sleeper hit Longlegs, a dark, beautiful film with whispers of Fincher’s Se7en, dripping with chilly PNW atmosphere but ending in a ho-hum conclusion. Perkins gets so close to making classics, yet perfection remains elusive. I Am the Pretty Thing That Lives in the House is no exception.








