To Sleep With Anger (1990)

One dilemma that I don’t think we’ve talked about much is that The Criterion Collection, as great and all-encompassing as it may seem, doesn’t always have the exact movie you want to see by certain directors. An example that applies to a recent director we covered is Pedro Almodóvar, whose favorite film of mine is not in The Collection (Talk To Her). However, it doesn’t bother me all that much that John ended up watching Women On The Verge of a Nervous Breakdown, since it’s probably the best place to start with Almodóvar.

I’m not sure if that’s necessarily the case with To Sleep With Anger, the lone film directed by Charles Burnett in The Criterion Collection, as it seems like 1978’s Killer of Sheep is the most influential and highly regarded of his films. But for whatever reason, be it copyright issues or something else, To Sleep With Anger is the place at which I’ll have to start with his filmography. Continue reading →

The Big Chill (1983)

I think anyone of my generation or younger who chooses to watch The Big Chill goes into it dreading they’ll find it relatable. It’s a movie about a group of white, boomer thirtysomethings who get together to talk about how they all sold out, got rich, and settled down. Basically, its about exactly the people and the mindset that led to our world being in such a dire state today. But I think writer-director Lawrence Kasdan is using the specific experience of his generation to make a broader observation about how growing old has affected every generation. More importantly, he’s letting us spend time with eight interesting characters in what I’d call a proto-hangout movie.

Continue reading →

The Long Good Friday (1979)

When Bob Hoskins died in 2014, one of the things I remember seeing written about the most (aside from Super Mario and Hook) was his star turn performance in The Long Good Friday. Particularly, I remember seeing people post the last couple minutes of the movie and talk about how gifted he was to convey so much wordlessly. That scene definitely put this movie on my radar: the distinct music, young Pierce Brosnan, complicated politics in a gangster movie? It sounded awesome. Then I forgot about The Long Good Friday for six years, until my last pre-pandemic movie going experience: The Gentlemen. That Guy Ritchie movie borrows a lot from The Long Good Friday, including a very direct homage to that ending scene. When that happened a light went off in my head and, like Lex in Jurassic Park, I couldn’t help but think “I know this!” So that night I decided I would definitely make time to watch The Long Good Friday.

Continue reading →