I think there’s little disputing that 2019 was a great year for movies, and I’m not sure I have much to add to that sentiment. It was a great year for movies if you wanted to see something small and artsy, it was a great year if you want to something mid-budget and weird (thanks A24), and it was a great year if you wanted to see something grand and spectacular at your local multiplex (sans a disappointing Star Wars conclusion). I felt like I stayed fairly up-to-date with all the movies worth seeing this year, and yet there’s still a few I wished I’d been able to cram in. But hey, that’s not a bad problem to have. Continue reading
2019 was a great year for mainstream cinema. Which means it’s a boring year for lists. Maybe it’s me but I feel like in lesser years cinephiles go more out of their way to unearth those under-appreciated documentaries and hidden art house gems. I’m not talking about Uncut Gems either.
The second more likely scenario is that I was lazy. I found a group of films I liked and I called it a day. The true answer is likely somewhere in-between. That being said I had a lot of fun at the movies in 2019 and will try to make this list my own.
Another year in the books, another year of mildly pleasing pop culture. Though we may be living in a world of extremes, here we take a look each year at the most middling things that the year had to offer. 2019 had no shortage of things that struck our pleasure centers right in the middle, as this awards podcast sees us discussing the likes of revamped Sonic the Hedgehog, Keanu Reeves, and the 30-50 Feral Hogs that serve as a constant threat. Continue reading
I’ve made my peace with the fact that Top Ten TV Shows is the list I spend the least amount of time pouring over. Possibly because I don’t feel like I’ve watched 10 shows I really love until I’ve binge-watched one final show right before constructing my list. Still, I felt a bit more on top of TV this year than usual, and yet because there are just so many darn shows out there, before I get to the list, I present you once again with… Continue reading
While writing my list I noticed something. Out of the ten shows I picked for my favorites of 2019, only one is over an hour long. I remember a time when all the GOOD shows were an hour long. Like The Sopranos. It just goes to show how the evolution of the TV and all the ways to consume TV have broken down a lot of conventions. Shows can be as long as they need to be when they don’t need to worry about commercial time.
Which also explains why a majority of my selections are streaming-based. I don’t know if any of this is good or bad for the medium or if we need to cool it on the number of shows available, but as of now, I feel good about it. After all, you don’t have to watch all of it.
Man, I really need to watch Succession, huh? 2019 was the end of the decade and it felt like it everything I loved had to end with it. In the last year, I said goodbye to the likes of Steven Universe, Broad City, The Unbreakable Kimmy Schmidt, Catastrophe, Veep, Wyatt Cenac’s Problem Areas, The Tick, Jessica Jones (and all Marvel Netflix), Game of Thrones, Fleabag, Legion, Bajillion Dollar Propertie$, Silicon Valley, and Mr. Robot. That list doesn’t even include shows that are returning for brief final stretches this year, like Bojack Horseman and The Good Place. So yeah, that Succession is looking pretty good.
Ever since The Force Awakens came out 4 years ago, we’ve reviewed a Star Wars movie almost every year in podcast form (sorry Solo). And almost every time, our takes have been fairly cold, seeing as these movies often come out around the holidays, when its hardest to coordinate a podcast among Mildly Pleased’s contributors. Alas, here is our review of the final movie in the Star Wars sequel trilogy, The Rise of Skywalker. We’re joined by our friend and Star Wars superfan Matt Carstens for a lively (and long) discussion about went wrong with The Rise of Skywalker, what went right, and where things go from here. Continue reading