
William Tyler’s last album of contemplative instrumental country/folk, Modern Country, has surely ended up being one of my most listened to albums of the past few years. This is because Tyler’s brand of spacey, unobtrusive guitar work is very easy to put on in the background when you’re working/writing, which I often find myself doing. Now, I’m not sure that that makes for the best music to actually write about, but I guess we’ll see what I can come up with… Continue reading







