“When your mind becomes obsessed with anything, you will filter everything else out and find that thing everywhere.” These words spoken by Mark Margolis’ Sol echo through Pi, the feature debut of Darren Aronofsky. It is the story of Max Cohen (Sean Gullette), a mathematical genius who becomes obsessed with finding the numerical pattern that can explain everything. Unemployed and socially isolated, Max suffers through his daily life as he fights through terrible headaches and screams at his computer as he searches for that pattern in the stock market. Unfortunately for him, he might actually be getting close to finding the number at the center of everything, feeding his obsession and bringing a world of trouble.

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Look. There was a lot working against me finishing this review on time (which, I, of course, didn’t). The least of which was that they took Single White Female off of Shudder before I had time to watch it in time for this month celebrating this (supposedly) great streaming service. But feeling too lazy to switch Day 14 to another film from the same time period, I nevertheless went ahead and watched Single White Female anyways. And was it worth it? Well, considering it’s the kind of finely crafted pulp that one can only hope for in a trashy thriller, I’d say yes. Continue reading →

In the August of 1975, a patrolman arrested an unusual man who had been cruising around the suburbs late at night. The man had removed the front seat of his car and he had a bunch of conspicuous items, like a ski mask and handcuffs. But the man had an explanation for everything. Thankfully, Detective Jerry Thompson remembered a similar suspect and vehicle were described in a different case, and even though the man was released, Thompson began working with police in five different states to put everything together. Eventually they had enough hard evidence to put together a case and arrest the man, convicting him of dozens of murders and other heinous crimes. That man would escape prison and kill again, and eventually he was sentenced to death. His name was Ted Bundy.

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I saw the first Night of the Living Dead in the Nineties, when I was just a kid, too young to understand any of the movie’s themes. I watched it with my family and mostly remember being excited about the second tape that came with the movie, the parody Night of the Living Bread. I didn’t see its sequel (and the remake of that) until I was in college. I watched a downloaded copy of Dawn of the Dead in my dorm room by myself and absolutely was all about its criticisms of consumer culture and message of hope beyond all reason. Now, all these years later, thanks to the advent of (arguably too many) streaming services, I have finally completed watching the three Living Dead movies that matter.

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It’s hard to say what possessed me to choose the 1980 slasher flick Prom Night as one of my Shocktober picks. In fact, I don’t think I put really any thought into choosing it. I just saw Prom Night on Shudder, and saw that it starred a post-Halloween Jamie Lee Curtis and thought, “yeah, maybe that’ll be fun”. And was it fun? Well, it has its moments. Though it probably could’ve benefitted from a little more camp, and a little less trying to be a legitimately scary movie, which despite a few effective scenes, it isn’t. Continue reading →

We have a late substitution. Originally, I had planned to review the 1980 Australian film Harlequin today but it would appear the film has been removed from Shudder and off the face of the Earth. Luckily, I have a backup, the enigmatic 1980 thriller The Ninth Configuration written and directed by Exorcist scribe William Peter Blatty. Let this review also stand as a tribute to the star of The Ninth Configuration Scott Wilson who passed away four days ago at the age of 76. You may remember Wilson for his roles in the 1967 drama In Cold Blood and as Hershel Greene on The Walking Dead. Though after watching The Ninth Configuration. I believe this is the role Wilson should be remembered for.

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