I didn’t really touch on this in my top ten albums or TV shows lists, but it didn’t feel like a particularly special year for either of those mediums. I would not say the same for movies, even if it was sometimes hard to tell where the state of film was heading, especially after actors and writers went on strike and we had that weirdly long gap of notable movies coming out in the wake of Barbenheimer. Though, once November rolled around, I felt like we got a bunch of really great, prestige-y movies, and it seems we’re still getting a bunch coming out in time for the Oscars.
This feels a bit like the way things used to be, and I could complain about this familiar feeling of having to cram in watching a bunch of movies in December and January in preparation for this list, but I won’t. Mainly because movies are in such a weird, uncertain state that I’m just glad talented filmmakers are able to get their work out at all, and if that comes with the price of seeing the best films of the year all at the same time, that’s the price I’m willing to pay. This is all a long-winded way of saying that I thought this turned out to be a pretty good year for movies, and hopefully one that saw Hollywood reflecting on how to reinvent itself instead of churning out the same old garbage. Continue reading





