C.A.T.: Odessey & Oracle

The Zombies – Odessey and Oracle (1968)

Keeping in the tradition of doing Rock Band-related CAT’s I figured I’d do The Zombies’ 1968 album, Odessey and Oracle since they have a pair of songs coming out as Rock Band DLC today.  

Recorded in 1967 at Abbey Road studios, Odessey and Oracle was The Zombies second and final album that they would record as the group would disband by the time the album was finally released in 1968.  The album would be then re-released in 1969 when the single “Time Of The Season” became a surprise hit in the U.S.
There’s a very lush and symphonic sound to the production of Rod Argent and Chris White’s songs which are all complemented beautifully by Colin Blunstone’s breathy vocals.  It’s really hard not to love the unabashed optimism of songs like “Take Care of Cell 44” and “This Will Be Our Year”.  And yet Odessey and Oracle is also a very instrumentally complex album that’s certainly in the same league as other concept albums of the time such as Sgt. Pepper or Pet Sounds.
Even though The Zombies were lumped along with a lot of other lesser British invasion bands, you could already see that they were somewhat above their peers just from hearing the unique jazz influence on singles like “She’s Not There”.  And Odessey and Oracle stands as one of the best albums to come out of the British Invasion and probably the ’60s in general.  Truly a gem of an album if there ever was one.
Favorite Tracks: “Take Care of Cell 44”, “Brief Candles”, “This Will Be Our Year”

C.A.T: Billion Dollar Babies


Alice Cooper – Billion Dollar Babies (1973)

Colin and I usually switch off for Classic album Tuesday, but I just had to go ahead and do it again as it seems like the ideal time to review Alice Cooper’s Billion Dollar Babies (An Alice Cooper pack was recently released for Rock Band) an album I very much enjoy.

Released in 1973, Billion Dollar Babies is often considered to be Alice Cooper and his band at their commercial and creative peak. It’s catchy, fun and most importantly, it rocks your socks off with great tunes and plenty of edge. For those who say Alice Cooper is no more than some shock rocker with a few radio hits, I think you’d be surprised to see that he’s actually got a whole catalogue of strong compositions and this is album is definitely worth checking out.

Debuting at number one on the billboard charts, many songs from Billion Dollar Babies would become instant staples of Cooper’s live shows. “No More Mr. Nice Guy” has certainly gone on to be a 70s rock classic, while “Elected” is often used as an encore to Cooper’s elaborate stage shows. The title track, which is a duet by Cooper and Donovan is another highlight and Cooper’s band is in absolute tip top shape.

Now Cooper may not be the most gifted rock vocalist and I’m really not sure what his contributions to the groups song-writing entails, aside from maybe contributing lyrics, but he’s got personality and that can take a rocker far. You got to give it to Cooper’s backing band (especially guitarist Michael Bruce) as the driving force behind these catchy numbers, but it’s Cooper that takes the engaging role as ringleader and ties it all together.

It’s funny that Alice Cooper is so embraced by the metal community, as this really doesn’t sound anything like heavy metal. This is basically just good old rock and roll with some occasionally quirky lyrics. I guess it’s more of Cooper’s image and love for horror that’s made him such a metal icon, but that’s not why I like him. I’m just about his music… Well his 70s music, cause anything after that is crap.

P.S. the original record came with a huge fold-out billion dollar bill, it’s pretty sweet my dad’s still got his.

Favorite Tracks: “Billion Dollar Baby”, “No More Mr. Nice Guy”, “Raped and Freezin”

C.A.T: John Lennon/Plastic Ono Band


John Lennon with the Plastic Ono Band – John Lennon/Plastic Ono Band (1970)

Seeing as I did All Things Must Pass for my last Classic Album Tuesday I figured I’d crank out another Beatles solo work. Named after the conceptual band that John put together for such recordings as Live Peace in Toronto 1969. This followup of sorts is surprisingly sparse, featuring mostly just John, Klaus Voormann and Ringo Star along with guest spots from Billy Preston and co-producer Phil Spector. Recorded concurrently with Yoko’s debut album, which I care not to listen to because I can’t stand her voice. John Lennon/Plastic Ono Band is a raw, emotional album from the always compelling and introspective Lennon.

Confronting both personal and political issues Lennon’s surprisingly stripped down and passionate approach leaves for a stark yet moving listening experience. Lennon digs down into dirty blues/rock on songs like “Well Well Well” and “I Found Out” but it’s ballads that mostly make up this album. Pouring out his heart on songs like “Mother” reflecting his abandonment as a child and “God” a controversial religious piece. John Lennon/Plastic Ono Band can feel gloomy or bittersweet at times but that’s really what makes it so affecting.

Lennon’s politically charged ballad for the working man “Working Class Hero” is another striking song in both it’s message and bare-bones arrangement. “Look At Me” is another highlight, written during The White Album period is a personal favorite of mine. With it’s angelic picking pattern and soft spoken vocals, it’s one of my favorite recordings of Lennon’s solo career.

Imagine would prove to be an equally excellent followup album but I still lean towards Lennon’s debut. It’s recently re-ignited my interest in Beatles’ solo work and cements Lennon as one of the greatest artists of the 20th century.

Favorite Tracks: “Isolation”, “Look At Me”, “Love”

Retrospecticus: Star Trek

This post has been sitting around, incomplete, for a few days now. So, instead of letting it go to waste any longer, I rushed through it and posted it now. Enjoy!


Space, the final frontier. Throughout history, only one franchise has managed to united the geeks and nerds of the world. Over 10 films and half a dozen television shows, Star Trek has had a lasting influence on society and multiple generations.

The new movie is out today and I’m quite excited to go see it. Lots of people are. In preparation for this new film, let’s take a look at everything that had led up to this latest release. That’s right, everything.

Star Trek: The Original Series (1966-1969)

The Original Series, or “TOS” aired from 1966-1969. There were 79 episodes produced before it was cancelled after its third season. While the show was not too successful when it first aired, it picked up a cult following in reruns, a following so massive that it started holding conventions celebrating the relatively short-lived show. In 2006, CBS remastered the show in high definition with brand new CGI; it looks awesome.

TOS follows the adventures of James T. Kirk, Spock, Leonard “Bones” McCoy, and the rest of the crew of the starship USS Enterprise, NCC-1701. Their’s is a mission of exploration and scientific curiosity. What makes the show so great, as my dad likes to point out, is that despite being set in the far flung future, this show focuses on relatable, human problems. That, and some really fun futuristic science helped make this show so memorable, and I heartily recommend everyone check it out.

Star Trek: The Animated Series (1973-1974)
(Haven’t Seen It)
TAS, the Animated Series, aired from 1973-1974. It continued the story of the original Enterprise crew, but since it was animated, it allowed for more exotic storylines.

Series creator Gene Roddenberry declared that the show was not cannon, but several parts of it, like the holodeck, have made it into latter series.

Star Trek: Phase II (1978)
(Never Aired)
This attempt to start a new Star Trek live action show never made it to the airwaves. It would have featured the original cast on a new mission, except for Leonard Nimoy. In his place, there was a new vulcan written in, Xon, with the hopes that Nimoy would later guest star. Before the series was even able to take off, Star Wars happened, and it was decided to recommission the pilot into the first Star Trek motion picture.

Star Trek: The Motion Picture (1979)

In 1979 the first Star Trek movie was released. It was the epic tale of a monstrous cloud, the V’ger, and the Enterprise’s attempt to stop it from destroying the earth. Kirk, now an Admiral, and the rest of the crew find their way back aboard the Enterprise in an attempt to stop this alien threat, usurping power from the Enterprise’s current crew.

The first film in the franchise definitely got too caught up with itself. “Ooh, look at me, I’m a movie, I have a big budget.” There are lots of long, slow moving shots and it seems that the whole movie was designed as a visual spectacle rather than an exciting story. Overall, this movie is fun, but not that great. I just read on Wikipedia that some fans call this The Slow Motion Picutre, that’s hilarious.

Star Trek II: The Wrath of Kahn (1982)

I think everyone knew that the first movie dropped the ball, because these guys were not messing around when it came to its sequel. When Chekov and Clark Terrell of the USS Reliant beam down to Ceti Alpha V, they stumble across the superman Kahn. Kirk had previously marooned Kahn on the planet 15 years ago, since then Kahn’s followers and wife had died. Kahn embarks on a mission of revenge. What follows is the best Trek has to offer.

Seriously, if you don’t like Wrath of Kahn, what’s your problem? It’s one of the best sci fi films I’ve ever seen. With so many memorable scenes and dialogue, this movie is just a lot of fun. It ends with the most famous scene in all of Star Trek, the death of Spock. That’s a hell of a thing. I really cannot praise this film enough, it is exactly what I want out of a Trek movie.

Star Trek III: The Search for Spock (1984)

This is where the thing about odd numbered movies sucking got started. After the events of Wrath of Kahn, it was decided that the movies would follow a story arc, one that would continue until the sixth motion picture. In this feature, the distraught crew of the Enterprise learn that Spock’s essence is within McCoy, and that neither of them will be able to rest until they can bring Spock’s remains to Vulcan. So they hijack the Enterprise and go back to the Genesis planet, only to find hostile klingons.

Since he is hardly in the film, Nimoy took over as the director this time, a job he would continue in the next movie. While not terrible, there’s not too much going on here, except for Christopher Lloyd as a Klingon commander. This story is really just a means to get Spock back, instead of another grand adventure. That said, since these movies lead into each other, you will want to see this movie so that you can fully appreciate the fourth one. Plus, you want Spock to be OK, don’t you?

Star Trek IV: The Voyage Home (1986)

This movie is pretty zany, but pretty entertaining too. After the events Search for Spock, the exiled crew, along with the new Spock, decide they have to return to earth. But on the way back they intercept an alien signal that sounds like humpback whales. With humpback whales extinct and the earth in danger, the crew decide to slingshot around the sun to go back in time. Their plan: To steal a whale and travel back to the future to save the earth.

Yep. Time travel to the 20th Century was always great on the original series, and that doesn’t change when they finally do it in a movie. The Voyage Home was both a commercial and critical success, and it deserves to be. For the emphasis is put squarely on the actors here, and they more than rise to the challenge. This is my second favorite Trek movie.

Star Trek: The Next Generation (1987-1994)

So it turns out people still liked Star Trek, even in the 1980s. In 1987, a new series was commissioned, set 70 years after the exploits of Kirk, Bones, and Spock. This new show was called Star Trek: The Next Generation.

TNG was set aboard the Enterprise-D and featured a diverse crew from multiple species. There was its captain, Jean-Luc Picard, his first officer, William Riker, the android Data, the Klingon Worf, the blind Geordi La Forge and more. This show would introduce several key races and conflicts for the universe, as well as create some of the most memorable characters in the franchise.

The series was one of the most successful Star Trek shows, responsible for the series’ resurgence in the 1990s on TV. It also won several awards.

Star Trek V: The Final Frontier (1989)

What a piece of crap.

Seriously.

This movie starts out with Kirk and Spock having a good time at Yosemite before decending into the schemes of Spock’s evil brother Sybock.

This was the one that Shatner decided to direct. I guess he decided that the franchise needed a comedy, because that’s the closest thing we get here.

It’s kind of campy fun, but I won’t go as far as to actually recommend this to anyone. It’s just a mess.

Star Trek VI: The Undiscovered Country (1991)

This movie is supposed to be much less of a piece of crap. Sadly, I haven’t watched it since I was much younger, and I didn’t want to hold up this post any further by limited attempts to watch it. Especially after sitting through The Final Frontier.

I guess the story is about Klingons and the Federation finally making piece, which definitely makes sense, since they are good guys by the time you get to the latter TV shows. If any of you get a chance to see this movie, comment about it so that other readers can get a piece of your knowlege.

Everything that I’ve read suggests that this film was somewhat a return to form, and that it is overall an acceptable entry into the series.

Star Trek: Deep Space Nine (1993-1999)

DS9 started airing 1993, a year before TNG‘s conclusion. It was the story of Deep Space Nine, a Federation outpost near the planet Bajor and a wormhole that provides immediate access to the gamma quadrant. This heavily contested area is the target of the antagonistic cardassians, which eventually results in the first war seen in the Star Trek universe, between the Federation and the Dominion.

At the head of the cast is Avery Brooks as Captain Sisko, who sadly does not take up his signature bald, bearded look until halfway through the show. It also features the shapeshifting Odo, the passionate Kira, the immortal Dax and two former TNG crew members, Chief O’Brien and Worf. Everyone is familiar with Quark, I assume.

Unlike all the other shows, DS9 was all about plot archs and character development, making the show much more compelling and geniunely interesting than I thought it would be. Infact, I think I like this show more than any other, despite having grown up in a strict TOS household. Give it a shot.

Star Trek Generations (1994)

As TNG was coming to a close in 1994 and the OS cast was getting old, it was time for them to finally pass the torch to the next group of movie heroes. Sadly, Leonard Nimoy and DeForrest Kelley did not appear in the film, so that torch was left in the capable hands of William Shatner.

The retired Captain Kirk’s last adventure sees him hurdled into the deep future, where it is up to him and the crew of the Enterprise-D to stop Malcolm McDowell, as the evil Dr. Soran, from messing shit up. Kirk is always a fighter, never giving up even at the bitter end, but if you ask me, this film makes it perfectly clear that Picard is the superior captain. Kirk is just a lot luckier.

This movie may not be that great, but the symbolism of it pushes it over the top. If you want to see how Captain Kirk gives his final performance, you need to see this movie.

Star Trek: Voyager (1995-2001)

Lady Captain Janeway takes the reigns in this series. Voyager marked a return to tradition for the Star Trek franchise, with the empahsis back on exploration and science. When the new ship the USS Voyager is thrown 70,000 lightyears across the galaxy, its young crew embarks on its greatest mission: to return home.

This multi-year journey would be marked by difficulty, specifically from the newest threat to galactic piece, the Borg, who seem pretty damn hard to stop. The episodes I’ve seen of Voyager seemed pretty bland, not necessarly bad, but not that interesting either. I’m sure plenty of people like it, I just have a hard time wanting to see it.

Star Trek: First Contact (1996)

Those Borg bastards! In this movie they go back in time to stop the Federation from being founded by preventing the first meeting between humans and vulcans.

Thankfully, we’ve got the Enterprise-D and those guys to come save the day.

This film is the first in a series of movies with the Next Generation guys at the forefront. Like those movies, its action-packed, but not too great. It’s just OK. Just OK.

Actually, this is probably my favorite TNG movie. Not only does it have a couple great scenes, it is pretty much the climax of the Borg conflict, which is pretty sweet.

Star Trek: Insurrection (1998)

This movie is based around a planet where people are immortal due to some strange anomaly. This wackness has strange regenerative powers, like allowing Geordi to see. But then this Federation Admiral is being a dick and its up to Picard to stop him.

I hardly even remember what goes on for most of this movie.

This is the least interesting of TNG movies. It’s like an episode of the show, with little consequence to the overall arc for these characters.

Riker doesn’t even have a beard.

The movie’s not bad, but there’s little to gain from watching it.

Enterprise (2001-2005)
(Haven’t Seen It)
Later retitled Star Trek: Enterprise this show put Scott Bakula in the captain’s chair of the first starship Enterprise as humanity made its first steps into space diplomacy. Since humanity discovered warp drives and founded the Federation, they have started becoming the organization we all know and love from the other shows.

I think we all watched the first episode of this show, then lost interest. Which is a shame, because I guess much later on, like by the third season, this was looking alright. Oh well, this still ended up being the first show to get canceled since the original. Better luck next time.

Star Trek: Nemesis (2002)

This movie is kind of fucked up. The main enemy is a Picard clone. There’s an evil Data. It’s the final adventure of TNG crew. And it’s action packed.

Totally action packed.

Yeah, once again this movie is not very interesting. But I think the action is more fun this time around. That’s based on what limited memory I have from seeing this movie in theaters.

What’s more important is that this was the last movie in the franchise, and with the conclusion of Enterprise three years later, for the first time in a long time, we had to Trek.

Not for four whole years.

Star Trek (2009)
With that guy from Heroes! Seriously though, more on this in a second.

C.A.T.: At Fillmore East

The Allman Brothers Band – At Fillmore East (1971)


Seeing as there there were a pair of Allman Brothers songs released as Rock Band DLC, I thought I’d take a look back at the album that truly showed them at the peak of the powers as a live act, 1971’s At The Fillmore East.  I’m pretty sure there hasn’t been live a album that’s been CAT yet, and I can’t see anything wrong with this being the first considering it’s probably my favorite live album of all time.

After the release of their first few studio albums, The Allman’s felt that they couldn’t quite capture the intensity of their mesmerizing live shows.  So they booked a number of shows at New York’s Fillmore East, and pieced together different parts of those performances to make what would be known as At The Fillmore East.

The album starts out with a rockin’ rendition of Statesboro Blues and the twin guitar attack of Dickie Betts and Duane Allman’s brilliant slide guitar never lets up.  But it’s really what the whole band accomplishes as a tight cohesive unit that makes this albums so incredible.  Each member brings something different that accounts for the Allman’s potent blend of Blues, Southern Rock, and there’s a definite jazz influence that can be heard on their cover of T-Bone Walker’s “Stormy Monday”, or the Dickey Betts original, “In Memory of Elizabeth Reed”.

However, the songs that really make the album special for me are the more jam-oriented ones, there’s a musical chemistry here that I’ve heard between very few musicians, in rock or any other genre.  And all the longer cuts are never get dull, the band always seems ready to jump into some new riff or time signature and Duane Allman and Dickey Betts are always ready to blast off into some beautiful extended solo.  The stand-out track for me has always been “Whipping Post”, at 22 minutes it’s pretty much the most intense, epic jam I’ve ever heard.  I think I heard someone once describe it as a “side-long battlefield” and that sounds about right to me, I mean that song rocks hard.

At Fillmore East was the first album to really bring The Allman Brothers Band some mainstream success, but the success was somewhat bittersweet.  Sadly this would be the last album to be completed with 24-year-old guitar prodigy, Duane Allman.  However, At Fillmore East still stands as a testament to his and the Allman Brothers Band’s to reach heights that few live rock bands ever have.

Favorite Tracks: “In Memory of Elizabeth Reed”, “You Don’t Love Me”, “Whipping Post”

C.A.T: All Things Must Pass


George Harrison – All Things Must Pass (1970)

It’s a shame that Phil Spector appears to be a murderer but that doesn’t mean we can’t appreciate his years of work as a talented music producer. I’m not trying to make some lame joke here or glamorize a man convicted of second degree murder but he was a talented producer and this whole thing recently got me to thinking about my favorite Spector produced album All Things Must Pass.

The first album George Harrison recorded after The Beatles breakup George along with a little help from his friends recorded the highly ambitious rock masterpiece that is All Things Must Pass, released as a triple album in 1970. Amassing a large compilation of songs from as far back as 1966, the breakup of the fab four had finally given George an opportunity to let it all out which would prove to be an enormous success.

he arrangements here are both powerful and beautiful with some top notch musicianship. Horns, strings, and not to mention an all out arsenal of guitars are only heightened by Spector’s trademark ‘Wall of Sound.” For instance, the personnel for one of my favorite Harrison tunes “What is Life” has at least five guitars on it and I’ll bet at least a few if not all of those are doubled up.

Aside from George providing lush guitar work and vocals you got a whole all-star ensemble of musicians; Ringo Starr, Eric Clapton, Alan White, Billy Preston, Klaus Voorman, Badfinger, Bobby Whitlock, Dave Mason, Peter Frampton, Carl Radle, Jim Gordon, Ginger Baker and even a 19 year old Phil Collins. Leave it to an ex-Beatle to assemble that kind of team of musicians.

But all in all I think it’s George’s compositions that make this album so special. Aside from the smash hit “My Sweet Lord” you have some great wah infused rock on songs like “Wah-Wah” and “Art of Dying” some more mellow pieces such as “Beware of Darkness” and “Isn’t it A Pity” and even some interesting song-writing collaborations with Bob Dylan on “I’d Have You Anytime” and “If Not For You”.

It’s definitely tough to pick favorites with this impressive batch but that’s always a good sign. It might take you awhile to make your way through this massive 105 minutes of Rock but there’s rarely a dull moment and a little bit of everything for everyone.

Favorite Tracks: “Art of Dying”, “My Sweet Lord”, “What is Life”

C.A.T.: Court And Spark

Joni Mitchell – Court And Spark (1974)

I’ve always loved Joni Mitchell’s Blue, one of the great albums to come out of the early seventies, but it wasn’t until recently that I’d really gotten into Court and Spark, an album that’s pretty much just as enjoyable in my opinion.

Up to this point, Joni’s output had mainly been acoustic-oriented and pretty sparingly produced, but Court and Spark finds her exploring a much more eclectic sound.  Songs like “People’s Parties” and “Just Like This Train” feature Joni’s signature acoustic guitar work, but the arrangements are much less sparse than her previous work thanks to instrumental contributions from a wide variety of musicians.  And this more polished sound certainly works to the album’s advantage, considering it features two of Joni Mitchell’s most recognizable hits, “Help Me” and “Free Man In Paris”, as well as being among the most successful albums of her career.
Of course one of Court And Spark‘s most notable attributes is that it marked the first time Joni would explore a sound that is heavily influenced by jazz.  It’s really pretty remarkable the way the songs are filled with very jazzy arrangements as well as giving off the same folk-rock characteristics that Joni has always displayed.  And even with this fusion of these seemingly different genres, the album is probably the most accesible and pop-oriented album of Joni Mitchell’s career.
Joni would continue to pursue a more jazz-oriented sound with the rest of her ’70s output, rather than the more folk-oriented sound that has made her one of rock’s most influential female singer-songwriters.  However, Court and Spark shows her melding those two different sensibilities brilliantly, and also contains some of the most enduring songs of her career.
Favorite Tracks: “Free Man In Paris”, “Car On A Hill”, “Raised On Robbery”