Sean Lemme

I started blogging as a way to lazily pass my high school senior project and somehow I've kept doing it for more than half my life

Shocktober Day 25: The Babadook

The Babadook (2014)

At the start of his review of The Taking of Deborah Logan, John talked about how versatile the horror genre is, which resonated with me because of all the movies I’ve reviewed this month, The Babadook is the first one I though was actually scary. Maybe that’s because this isn’t the story of guitar guy getting revenge, or a haunted spaceship, or someone who is really skinny, or people hopping the border post-giant alien invasion; it’s a much more relatable tale. This is the story of a haunted pop-up book, and the evil demon that comes along with it.
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Shocktober Day 19: Monsters

Monsters (2010)

Gareth Edwards did visual effects on some TV shows, the one I recognize is Nova, that nerd show on PBS. In 2008, he entered a 48-hour film festival and won, which paved the way for him to write and direct his first feature, Monsters. Relying on his expertise, he made the movie on a slim budget with a small cast and an even tinier crew. This got him enough exposure in Hollywood that a year later he was tasked with reviving the Godzilla franchise in the west. A modest critical and box office success, that reboot nonetheless got Edwards his next job: the first Star Wars spin-off. In like six years, he went from a contest to the biggest franchise in movies… And I don’t know why.
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Shocktober Day 16: The Machinist

The Machinist (2004)

I definitely sympathize with insomniacs. Wrestling with the biological need to sleep versus the intellectual, existential concerns of unconsciousness? That’s my jam. But honestly, it doesn’t take too much to miss some sleep; maybe it’s just a fun new video game, a night out with friends, or an early meeting. And it’s amazing how quickly, once some sleeplessness takes hold, that all your priorities can shift and suddenly some bed time sounds like the greatest thing in the world. That’s been my experience not getting a lot of sleep for like, a week. In The Machinist, Trevor Reznik (Christian Bale) hasn’t slept in a year.
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Shocktober Day 11: Event Horizon

Event Horizon (1997)

Not enough sci-fi movies take the bold leap of putting dates by their absurd predictions for the future. That’s probably because most screenwriters have the good sense to know that their outlandish ideas will probably never come true, and they don’t want to run into the 2001 problem. Event Horizon, though, now here is a movie with very little good sense at all. And so when it began by writing about humanity’s permanent settlement on the moon being established in 2015, I knew I was in for a good time.
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Shocktober Day 9: The Crow

The Crow (1994)

1994’s The Crow is not a horror movie, but its main character paints his face like the wrestler Sting, so I guess it counts. I had wanted to see this movie for a while, since I’m a fan of director Alex Proyas’ followup, Dark City, and I’m definitely interested in catching up on all the well-regarded comic book movies that I missed while growing up. Maybe I can convince John to let me review some others, like Spawn and Blade next year…
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Pitching Tents 17: Premium Cable

Many happy returns to the world of television! Mid-late September has historically been the time that the most important TV shows begin their seasons, although that’s been going the way of Blockbuster these last few years. Now that you can watch good stuff on your phone or whatever the kids are doing, the people needs good shows all the time. We’re here to help with that cause, with a few pitches aimed toward Netflix, HBO, and everyone else who wants to carve their own slice of the fall season.

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Bro Busters

Ghostbusters: Answer the Call

It is a pretentious, emotionally entitled idea that a sequel, prequel, reboot, or remake can diminish your love for the original. Whatever that thing was still exists, unchanged (unless we’re talking Star Wars) and freely available to you. You know this, because I know this, it’s obvious. But it doesn’t feel true, does it? That idea that corporate money-chasers are taking something you care about and trying to cash in on your nostalgia hurts. What’s worse is that Hollywood is targeting exactly the wrong era and demographic for this practice of reviving films.

The Eighties were a weird, wonderful time for Hollywood movies. Many of the most creative, most “how did this get made” stories we love came from that era or as a direct response to it in the Nineties. And in the past few years, that decade has been absolutely stripmined for remakes. We’ve gotten new versions of Total Recall, Conan The Barbarian, RoboCop, Vacation, Red Dawn, Clash of the Titans, The Karate Kid, Footloose, and pretty much every horror movie, to name a few. That’s a lot of remakes! The problem for the Hollywood studios pushing these remakes is the fans of those movies had one advantage that prior decades of cinema-goers didn’t have: home video.

If you loved a movie like Ghostbusters, you owned it on VHS. You watched it over and over. You grew up with it. I know I did. And then there were way more channels on TV, and the stations had to always be showing something, so every once in awhile, you’d get to see Ghostbusters on TV. And then you bought it on DVD. And then you downloaded it. And then you bought the Blu Ray. And then you saw it was on a streaming service. Ghostbusters isn’t a warm, fuzzy memory for you or me, it’s been a part of our lives. It never went away.

That’s at least part of why the backlash against the new Ghostbusters reboot has been so severe. A remake is just totally unnecessary, it’s an attempt to fill a need that doesn’t exist. As for why it’s been so much angrier and louder this time than those other Eighties remakes, well, I think it’s fair to say sexism is a part of it. How much of that was manufactured by marketers to get people defending the movie is hard to say. It’s a lot of misplaced rage, because honestly this isn’t a movie deserving of such passion. I think this Ghostbusters is a fine comedy movie, but it’s not even the best one this year.

Writer/director Paul Feig and writer Katie Dippold set this story in a world much like our own, except there was never a Ghostbusters movie or TV series or anything. So, it’s like the zombie movie rule where nobody knows what a zombie is or even the word “zombie,” except for “ghostbusters.” We start with Dr. Erin Gilbert (Kristen Wiig), who used to want to prove the existence of ghosts, but has settled for a career in more conventional academia. However, she ends up getting brought on a ghost hunt with her old friend, Dr. Abby Yates (Melissa McCarthy) and her new partner Dr. Jillian Holtzmann (Kate McKinnon). They eventually start a ghost hunting business, hire a ditzy secretary (Chris Hemsworth) and a fourth member (Leslie Jones) and end up saving New York City.

Yeah, the overall story beats end up being pretty similar to the original film. You can map each of the characters to ones from the original, but it doesn’t feel like the actors are trying to recreate performances. Erin may be the Venkman of the new team, but she ends up having a very different motivation and of course Wiig’s style of comedy is quite different from Bill Murray’s. I wish the movie had more confidence being itself, I was most pulled out when they forced references like showing the creation of the Ghostbuster logo or having lines like “Who you gonna call?” or “I ain’t afraid of no ghost” dropped into conversation like they’re normal things to say. The biggest departure is that the third act tries to become an action movie and kind of stops being funny. It actually introduces some weird consistency issues if you’re not too caught up enjoying the Avengers-style action and includes some imagery that seem designed to incense even more outrage from the haters… It is what it is, right Nancy?

Will this movie be up for a Mildly Pleased Award come New Years? Almost certainly. Will I still be thinking about it well into 2017 and beyond? Probably not. It was an OK comedy. I laughed and I did not get mad. As far as remakes go, honestly this is one of the least offensive ways to do it. There is a chance that this will lead to more female-led comedy and action films, which is good, and this cast is being embraced as role models for young girls, which is very good. If it gets a sequel, I bet it will be a better movie for being that much further out of the original’s shadow. After all, it may be impossible to beat the original Ghostbusters, but Ghostbusters II? Now there’s a film that could maybe actually use a second shot.