Here Comes the Songs

More news for the upcoming The Beatles: Rock Band hit this week with the announcement that Sgt. Pepper’s Lonely Heart’s Club Band and Rubber Soul will be made available as DLC after the game’s release. Today, Joystiq is reporting that the complete track list has been revealed. Check it:

Please Please Me (1963)
I Saw Her Standing There
Boys
Do You Want To Know A Secret
Twist and Shout

With the Beatles (1963)
I Wanna Be Your Man

A Hard Day’s Night (1964)
A Hard Day’s Night
Can’t Buy Me Love

Beatles For Sale (1964)
Eight Days a Week

Help! (1965)
Ticket To Ride

Rubber Soul (1965)
Drive My Car
I’m Looking Through You
If I Needed Someone

Revolver (1966)
Taxman
Yellow Submarine
And Your Bird Can Sing

Sgt. Pepper’s Lonely Hearts Club Band (1967)
Sgt. Pepper’s Lonely Hearts Club Band/With a Little Help From My Friends
Lucy In The Sky With Diamonds
Getting Better
Good Morning Good Morning

Magical Mystery Tour (1967)
I Am The Walrus
Hello Goodbye

The Beatles (White Album) (1968)
Dear Prudence
Back In the U.S.S.R.
While My Guitar Gently Weeps
Birthday
Helter Skelter

Yellow Submarine (1969)
Hey Bulldog

Abbey Road (1969)
Come Together
Something
Octopus’s Garden
I Want You (She’s So Heavy)
Here Comes the Sun

Let It Be (1970)
Dig a Pony
I Me Mine
I Got a Feeling
Get Back

Love (2006)
Within You Without You/ Tomorrow Never Knows

Singles
I Want To Hold Your Hand
I Feel Fine
Day Tripper
Paperback Writer
Revolution
Don’t Let Me Down

Honestly, I’m pretty content with this as the on disc collection. It’s better than I ever thought we would have it, with obvious exceptions like “Hey Jude” and “Yesterday” probably being left out for DLC later. Now if only I could find some way to justify getting that collector’s edition…

Damn-pires


Damn, we need more posts here. I wonder if the problem is our lack of recurring segments like “Top Ten Thursdays” (Rest in peace) or “Classic Album Tuesday” (Current status unknown) anyhow, here’s my rant about a subject that’s not necessarily new but a matter that I’m finally just fed up with and ready to vent some of my primal rage.

Vampires! What’s with everyone’s current obsession with these undead bloodsuckers? It seems like I can’t read a single magazine or surf the web without hearing about Twilight or HBO’s current hit True Blood, only followed by a whole slew of other shows like CW’s Vampire Diaries and what have you… And though I can’t say I’ve actually seen any of these I’m just fed up hearing about them.

So what was the final straw here? I went to take my lunch break yesterday when I came across the latest Entertainment Weekly. Of course it had Robert Pattinson from Twilight on the cover, along with the male lead from True Blood with a caption reading “Top 20 Greatest Vampires” underneath. So I figure “That’s a no brainer it’s got to be Count Dracula and who’s performance is more iconic than that of the late great Bela Lugosi?” Was he number one? No, he wasn’t even number two and was only one spot ahead of who else but Mr. Twilight himself. Instead the list opted for Lestat from Anne Rice’s vampire chronicle novels stating that “Without Lestat there would be no Edward Cullen in Twilight.” Oh yeah you can thank Lestat for spawning some of the most emoesque vampires but not Bela Lugosi for essentially making the vampire character famous in the first place. How often have you seen a vampire in any medium speaking with a thick Hungarian accent? Charming and sinister, with black slicked hair and a long dark cape? That was all him baby and people need to recognize that.

Now sure this was just one article, probably written by somebody who didn’t care to delve deeply into the subject but I’m starting to think that this modern vampire craze has forever tarnished the legacy of these dark creatures. Vampires can still be sensitive and charming but they should still have that monstrous edge and I just don’t see that any more. I’ve seen clips from some of these movies and shows where the vampires walk around in broad daylight for god’s sake! I’ve always felt that was one of the most compelling elements of vampires but it’s like people don’t even care anymore, I guess it’s too hard to write a story that only takes place at night. So with no need for coffins I assume that garlic isn’t an issue either, do they even turn into bats? What’s next werewolves that turn into werewolves just whenever they feel like it? Unless the ones in Twilight already do that too.

I’m saying all this not because I’m a die-hard fan of vampires or anything. Really the only the vampire movies I like are the some of the old Universal films and a few of the weirder flicks like Fright Night or Kathryn Bigelow’s Near Dark. I see this whole thing more as straight up disrespect for the folklore and people like Bram Stoker and Bela Lugosi who made these creatures popular in the first place.

I can only pray that this current vampire fad will die off after these movies and shows run their course but where will vampires stand for future generations? Will people still appreciate the classic characters? Or will they see vampires as emos with superhuman abilities? Right now it appears that the latter is most likely and that I must say is a real pain in the neck.

All Summer Long


(500) Days of Summer

With Sean and I bored on Saturday night and a majority of folks flocking to G.I. Joe and Julie and Julia, we decided it was as good time as any to see one of the smaller indie movies currently playing, a trend that seems to be happening a lot this summer for my friends and I. Sean lobbied for the award favorite documentary The Cove but I didn’t feel like going to Lincoln Square so (500) Days of Summer at Bella Botega was the winner.

As typical as any boy meets girl story, (500) Days of Summer follows the relationship between Tom Hanson (Joseph Gordon-Levitt) a writer at a greeting card company who aspires to be an architect and Summer Finn (Zooey Deschanel), a beautiful new secretary in the office. Shown out of sequence, we are presented with the highs and lows of their relationship over the course of 500 days.

Although a concept and title that’s a bit gimmicky, with noting particularly new to offer to the genre (500) Days has no shortage of visual style and humor, not to mention a certain alluring charm between it’s two leads that make it shine. I wasn’t sure about the whole “out of sequence” method but I grew quite comfortable with it in no time and felt it kept a certain sense of mystery throughout the film. Visually I loved some of the clever methods of portraying the unfolding relationship. In particular was when the screen would split into two sides, one labeled “Expectations” and the other “Reality” from Tom’s perspective. Throw in a couple of surreal sequences and a very memorable dance number to Hall and Oates “You Make My Dreams” and you got just enough to keep me engrossed.

I know something that definitely bugged Sean but didn’t really get to me was this film’s, how should I say “hip factor”. Almost as if the film tries too hard to be indie just for sake of being indie. Stuff like “Oh we like The Smiths look how cool and unique we are.” or all the time the pair spend going to art galleries and old movies. I could see how someone could find that unappealing or annoying but I’ll admit I like the whole “indie chic” coating, even if it feels a little less than genuine from time to time.

The film’s not perfect but just compare it most of the mainstream romantic/comedies. Tired and cliched movies like The Ugly Truth or anything else that stars a bunch of popular and attractive movie stars in completely unrealistic situations. With a movie like (500) Days of Summer you can truly feel that you’re watching a movie that had a great deal of attention and care put into the story and scenes. The cast is great, the story is sweet and simple and I’m glad I went to it, even if I had to see another trailer to The Time Traveler’s Wife.

These Bands, They Rock


Up above is a sweet new trailer for The Beatles: Rock Band. You enjoy that shit? Me too. Can’t wait. I’ve been blown away by just how great this game looks beyond the basic gameplay, and that video is a great showcase. And the good folks at Harmonix aren’t stopping there either, with a bitchin’ batch of new tunes out for DLC next week.

The highlight for me is “Magic Bus (Live at Leeds).” That song is definitely one of my favorites by The Who, and I’ve been waiting for a somewhat longer song to rock with all summer. There’s some other great stuff comin’ too, take a peak:

  • “Clint Eastwood” – Gorillaz
  • “Feel Good, Inc.” – Gorillaz
  • “Re-Hash” – Gorillaz
  • “Piece of My Heart” – Janis Joplin
  • “White Rabit” – Jefferson Airplane
  • “Chest Fever (Live)” – The Band
  • “Magic Bus (Live at Leeds)” – The Who

Needless to say, it will continue to be an expensive summer for me.

Ben a Long Time

Just heard this a moment ago and I thought you guys would be elated to hear this news. The Bens are out. For those of you that haven’t been following the saga of At the Movies, the Bens are these two poor film critics that ran that once great bastion of film criticism into the ground over the last year. Well, no more. They are out. Guess who’s in?

A.O. Scott and Michael Phillips. The obvious choices. I’m not gonna lie, I actually do find this somewhat exciting, as I enjoyed watching those two as guest critics with Roeper not too long ago. Sure, you could argue that it might be more fun to get a critic who’s a little more out there, like Robert Wilonsky, but for my money Tony and Mike are the best two choices, excluding Roeper and Ebert, of course.

If they make some more strategic changes to this show, I might start watching again. The switch happens September 7.

R.I.P. John Hughes


John Hughes
1950-2009

Today I was quite saddened to hear that Writer/Director John Hughes passed away. The man behind such 80s classics as; Sixteen Candles, The Breakfast Club, Ferris Bueller’s Day Off, Planes, Trains and Automobiles, along with penning the scripts to Home Alone and National Lampoon’s: Vacation and Christmas Vacation died earlier today from a heart attack while on a morning walk in Manhattan, he was 59 years old.

Regarded mostly for his films portraying teens in an affectionate and idealized fashion, often set in or around the Chicago area, John Hughes quickly gained a reputation as one of the most talented screenwriters of his time. Hughes’ various ensemble comedies helped propel such actors as Molly Ringwald, Judd Nelson and Macaulay Culkin and frequently liked to cast the same actors, most notably Anthony Michael Hall and of course the late great John Candy.

He’d become somewhat of a recluse in his later years, rarely giving interviews of being photographed but with such a great body of work did he need to do anymore? I would of loved to see Hughes make a comeback film someday but perhaps it just wasn’t meant to be. Either way he’ll always be one of the greatest comedy writer/directors in my book and easily the greatest “Teen Movie” filmmaker of all time.

One Sad Dad


World’s Greatest Dad

I first heard about this film a few years ago from a guy in my screenwriting class (when it was in production of course). Filmed on location in our very own Emerald City, World’s Greatest Dad is a dark comedy starring Robin Williams, written and directed by Bobcat Goldthwait. Now though this film doesn’t open until August 21st (in limited release) it’s currently available to rent on “Comcast On-Demand” for about 10 bucks. Intrigued by the idea of a raunchy R rated comedy with a comic great in Williams (plus the whole Seattle factor) I just had to check this out and I’m excited to say it’s probably the most bizarre and unique comedy I’ve seen this year.

Robin Williams plays Lance Clayton, a high school poetry teacher at a private school with dreams of becoming a famous writer. Tormented by his failures as a writer, Lance has bigger problems when it comes to raising his rude, underachieving, pervert of a son Kyle (Daryl Sabara). What follows is a dark and unpredictable series of events that I’ll try and not spoil for you now but it’s hard to do World’s Greatest Dad justice with just a brief summary, I can only say that it’s definitely worth checking out.

Williams is absolutely fantastic, which I often forget due to all the horrible PG comedies he wastes his time with these days. He’s really quite capable of giving incredibly genuine and powerful performances and here he’s at his best without a doubt. I really couldn’t visualize a better actor to fill the role of the unfulfilled and morose Lance Clayton. Daryl Sabara (formerly of the Spy Kids series) is also noteworthy as Williams’ foul mouthed son, who probably has some of the best lines in the film… I never thought I’d live to see the day where the kid from Spy Kids would call Robin Williams a fag. Alexie Gilmore and Henry Simmons do a suitable job filling out the rest of the cast as William’s love interest and a fellow hip teacher respectively and there are plenty of great cameos including; Tom Kenny (The voice of SpongeBob SquarePants), Toby Huss (Artie on Pete and Pete and The Wiz on Seinfeld), Bobcat Goldthwait and who else but hometown hero Krist Novoselic in a brief non-speaking role.

The Seattle setting is an added bonus in my book, though most of the film does take place in a private school, but it’s still neat to see such locations as what I believe was the Varsity Theater (I wonder if this movies gonna be playing there? Wrap your mind around that.) But what really blows my mind is that Bobcat Goldthwait is actually a damn good filmmaker. Who would of thunk that funny voiced comedian from the 90s would of ever had a career as a filmmaker? Not me, but I’m glad he’s made the transition cause it’s rare that I can actually say any comedy is in any way unique.

Well I’m pretty tired but once again I’d just like to say that I recommend this film. It was a smash at Sundance and hopefully it’ll find an audience. It’s a great comedy that’s even got some fine drama working in it’s favor as well and who doesn’t love that?