Rokk Talk Ep. 12: Thank You For The Music

Thanksgiving is only a two days away, or as most Americans would correct you in saying, Black Friday is only three days away. But whatever your priorities this week, whether you’re noshin’ on some turkey legs or elbowing a portly dad in order to grab a VR fidget spinner, maybe you should take a break from the holiday madness and listen to your friends Colin and John on Rokk Talk. On this episode, the guys talk about the music they were thankful for in 2017, whether it was new discoveries, returning to old favorites, or moments in music that have us looking optimistically towards a future.

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The Hammer of the Gods

Thor: Ragnarok

Why would anyone like Thor? Marvel super heroes are known for being more grounded than their DC counterparts; oftentimes they are people with tragic origins or who find their powers become more of a burden than a blessing. Spider-Man can’t balance crime fighting with his real life, Iron Man is a deeply flawed person under his armor, Bruce Banner has little control over the Hulk. But Thor (at least the contemporary incarnation of the character) is different. He is a supremely powerful, immortal, god(-like alien). Where do you go with that? What’s the appeal?

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Sunshine State Of Mind

The Florida Project

As we go about our modest lives, in this bizarre economy, just trying to get by, it’s easy to feel like the idea of “getting ahead” is unattainable. The fact that we bust our butts with multiple jobs, pay off every useless student loan, and still have just the bare minimum to get by, makes it feel like a comfortable sustainable lifestyle will never sustain itself. And in this uncertainty, it’s hard not to feel a mild, if nonetheless constant, amount of despair. Continue reading

Mass Education

St. Vincent – Masseduction

I’ve already come to the conclusion that Masseduction, St. Vincent’s latest, is a very good album. But that kind of goes without saying, since St. Vincent at this point has entered the small pantheon of modern artists who can be depended on to do something interesting with each new album, but while also being undeniably themselves. But is this the best St. Vincent album yet? That I’m not sure of, though it’s probably the most accessible St. Vincent album yet. Which I’m not trying to use as a backhanded compliment, since it still manages to be accessible in surprising and unconventional ways. Continue reading

Shocktober Horrorble: Transformers: The Last Knight

Transformers: The Last Knight

England, The Dark Ages. A massive Saxon horde lays siege upon a pitiful British army. Desperate knights plea to their king, a man named Arthur (Liam Garrigan, who also plays King Arthur on Once Upon a Time), but he insists they must hold the line and wait for help from their sorcerer. They are running out of time. Cut to: Merlin (Stanley Tucci, not reprising his role from Age of Extinction) a goofy charlatan giving a jokey speech into a massive mechanical structure. A transformer emerges, gives Merlin a staff, then turns into a dragon and murders the Saxons. We’re back.

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Shocktober Day 30: Personal Shopper

Personal Shopper (2016)

So we’ve finally caught up with ourselves, not just with a film that came out this year (in the U.S.), but also one that was released by Criterion about a week ago. Personal Shopper was one of those Shocktober films that I wasn’t really expecting to be much of a horror movie, since it comes from a contemporary artsy French director, Olivier Assayas, who I’d heard of, but never knew to be much of a genre director. Surprisingly, Personal Shopper does have its share of thrills and shrills, but while also retaining the air of a contemplative character study. Continue reading

Shocktober Day 29: The Lure

The Lure (2015)

I wasn’t sure what to expect from a “Polish Horror Musical” turns out that’s a very accurate description. The Lure or “The Daughters of Dance Party” is the story of two mermaids who join a small-time electronic pop band only to find themselves disenchanted by the selfish desires of mankind. It also has rock and roll sing-a-longs and the devouring of human flesh. It’s a well-rounded film.

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