2010s Music Rediscovered: Transcendental Youth

The Mountain Goats – Transcendental Youth (2012)

After having a consistently great and prolific ’00s, the 2010s were a little more hit-or-miss for The Mountain Goats. Granted, The Mountain Goats are a fairly cult-y band, so you could say that the band as a whole are a little hit-or-miss. Meaning their music hits you in a soft gooey part of your gut that reminds you how beautiful it is to be a weirdo, or John Darnielle’s voice is a just a little too nasally and his songs are a little too heady to do much for you. Either way, I’m sure there’s some debate among fans, but for my money, Transcendental Youth still stands as the band’s best album of the decade. Continue reading →

The People’s Albums: 2010s Edition

As I make my way through 2010s music, I figured I’d take a break from mere reviews to do a bonus People’s Album of the best selling album of this particular decade. The ‘10s were much less a decade of blockbuster album releases than the ‘00s or ‘90s before them for a number of reasons. The death of the monoculture, major record labels’ shifting influence, and physical media’s decline all made it hard to put out an album that simply everybody was listening to. Not to mention the effects that streaming had on how people consumed albums, or whether they bothered to listen to entire albums at all. It made for a weird decade for the album’s cultural relevance, and yet despite that, there were still a few that managed to break out and capture people’s ears, as well as their money. Continue reading →

2010s Music Rediscovered: New Amerykah Pt. 2: Return of The Ankh

Erykah Badu – New Amerykah Pt. 2: Return of The Ankh (2010)

It was only in the last few years that I started to really get into Erykah Badu, but from what I can tell, it’s been a weird decade for her. She started the decade off strong, releasing this follow up to 2008’s New Amerykah Pt. 1, but then for the rest of the decade managed only to release a mixtape in 2015, while a new album may await us in 2020. However, she still managed to retain her relevancy through extensive touring and festival appearances, while the kind of laid-back neo-soul she once harbored into the mainstream managed to stay in fashion over the course of the 2010s. She also managed to stay in the limelight (unfortunately) because she defended all-around great guys like Hitler and R. Kelly in public, but I guess it’s hard to give too much credence to any of Badu’s weird personal opinions when she’s always seemed to be living on a planet all her own.

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2010s Music Rediscovered: I Will Be

Dum Dum Girls – I Will Be (2010)

I spent a chunk of the early 2010s waiting for Dum Dum Girls to really become a thing, but it never really happened. Not that any of their albums were underwhelming. In fact, all three of them are quite good. It’s just that they never really broke out from the pack of all the other retro-leaning indie rock bands of the era in terms of mainstream success. Still, I Will Be stands as perhaps the band’s finest moment (along with the End of Daze EP), and as a testament to lead singer Dee Dee’s ability to craft delicious hooks draped in dread. Continue reading →

2010s Music Rediscovered: Body Talk

Robyn – Body Talk (2010)

For basically every year of the 2010s, we’ve done a bunch of half-baked album reviews to catch-up on writing about music we never reviewed during the year. You would think that because of this, in addition to our regular reviews and end-of-the-year Top 10s that we’d have already covered all of the notable albums to come out this decade. Well, you’d be very wrong, since it felt like there was more good music this decade than any that had come before it.

So for the next few weeks, I’ll be reviewing albums that have never been reviewed on this blog or mentioned in end-of-the-year Top Ten lists. Some of these will be albums that slipped under my radar when they were released, or I didn’t appreciate at the time and have come to enjoy as the decade wore on. I’m not sure how frequently I’ll post these, but the every-other-day of the week approach that Sean took with his Avengers Retrospectus seems like a good one to shoot for.

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Woman In The Mirror

Angel Olsen – All Mirrors

I wouldn’t say that seeing Angel Olsen in concert on Halloween caused me to truly appreciate her latest, All Mirrors, but it also didn’t hurt. If anything, it made it clear that the album is on some level an attempt to break with the relative crossover success of 2016’s My Woman, considering the only track she played from it was her now-signature song “Shut Up Kiss Me”. She even made a remark after playing it that she’ll be performing the song forever, since she’ll always be known as the “Shut Up Kiss Me” girl. All Mirrors doesn’t really have any stand-out bangers on the scale of the aforementioned track, but in its overall grandiosity and emotional power, it transcends the need to. Continue reading →

Horrorble: Mortdecai

Mortdecai (2015)

I had a lot of options when it came to picking a movie to close out this year’s festivities. I could have done what I usually do and review a bad movie from this year (Serenity was a front-runner, as were two movies I’ve actually seen, Dark Phoenix and Men in Black: International) but this isn’t just any Shocktober, this is the Decade of Death! In honor of the work we put in this month, I decided I wanted to review a bad movie that represented the darkest, bleakest aspects of the 2010s as a whole. Something so horrible only those who lived through this decade would remember it. So what were the bad directions cinema went in over the past 10 years? Well, there were the unnecessary franchise films, so I could have watched something like Dumb and Dumber To. There was the collapse of theatrical comedies, so I could have watched something like Grown Ups. Then there was “cancel culture” and the backlash to it, so I could have watched something unsavory or truly deplorable but quickly decided that was a bad idea.

One film exists in the crossroads of these terrible trends. A brazen, foolish attempt to simultaneously cash in on the goodwill generated by one decaying franchise and the tiniest opportunity of another. A comedy so painfully unfunny that even watching it on Hulu, I still wanted to find a way to get my money back. A film starring a person who was already creatively burnt out and would go on to reveal himself to be so problematic that I remember hearing an audible groan in the audience when he appeared in another movie just a year after this one. Ladies and gentlemen, I give you Mortdecai.

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