See A Little Light

Bob Mould – Sunshine Rock

“What do you want me to do?” asks Bob Mould on his latest album Sunshine Rock. My answer: “whatever the hell you want”. Bob Mould owes rock fans absolutely nothing at this point. He helped give the world the blueprint for alternative rock with his first band Hüsker Dü, perfected straight-up alternative rock with his band Sugar’s Copper Blue album, and then has gone through a bit of a resurgence with some of the best, most pure music of his career in the 2010’s. And yet, the man still delivers. Continue reading

Western State of Mind

William Tyler – Goes West

William Tyler’s last album of contemplative instrumental country/folk, Modern Country, has surely ended up being one of my most listened to albums of the past few years. This is because Tyler’s brand of spacey, unobtrusive guitar work is very easy to put on in the background when you’re working/writing, which I often find myself doing. Now, I’m not sure that that makes for the best music to actually write about, but I guess we’ll see what I can come up with… Continue reading

No Need To Remind Me

Sharon Van Etten – Remind Me Tomorrow

I am almost always skeptical when an indie rock artist decides to make their “dance-pop record”. I am also almost always wrong about this skepticism. With Remind Me Tomorrow, the latest release from this typically guitar-based singer-songwriter, I had an inkling that once again I’d be eating my words in regards to this slight sonic reinvention. Because late last year, Sharon Van Etten released the fantastic single “Comeback Kid”, a song that is weirdly catchy and anthemic, yet still has that undercurrent of regret and melancholy that seems to run through all of Van Etten’s music. Continue reading

C.A.T.: Love Gun

KISS – Love Gun (1977)

This weekend I will see KISS in concert for the first (and almost certainly last) time. 2018 marks the beginning of their “End of the Road” tour, which will see the longtime rockers/sell-outs trekking across the world and gracing their fans with 40-year-old rock songs in what will supposedly be their last tour ever. To say that there’s any kind of wish fulfillment in seeing this band live would be a bit generous, considering I’ve always had a bit of a love/hate relationship with KISS. And I’m not sure there’s any better example of this love/hate relationship than 1977’s Love Gun, arguably the last “classic” KISS album. Continue reading

My Year At Hogwarts

As we wrap up 2018 (very slowly) here at Mildly Pleased, I figured I’d take the time to reflect on an unexpected pop culture journey that I went on over the course of last year. Which apparently involves a universe in which people just poo wherever they like…

There are often enormously popular franchises that I tend to let pass me by, which is almost certainly a product of my own snobbishness. Is this kind of apathy a good way to go through life? Well, considering people these days often make social connections over the pop culture they love, and embracing some of the more popular ones would possibly lead to a healthier social life… maybe. However, my Harry Potter fandom (or lack thereof) is a little more complicated than mere apathy. Continue reading

Colin’s Top Ten Songs of 2018

Honestly, I’m not sure why we’re doing this. I pretty much said everything I had to say about 2018 music in my Top Albums of the Year post. Or, at least, I did before I looked at it and saw that it read exactly like something someone would’ve begrudgingly written at midnight on Christmas Day. Regardless, I probably won’t put a ton of effort into this post. But then again, I guess that’s what top ten lists are for. No one comes to these things for the immaculate prose. It’s just all about those rankings… Continue reading