Shocktober Day 29: Paranormal Activity 2: Tokyo Night

Paranormal Activity 2: Tokyo Night

I’ve spent a lot of time this month talking about the invasion of Japanese ghost movies in the 1990s and 2000s. Though most of these led to underwhelming U.S. remakes, The Ring being the exception, and at the time the future of American horror films looked bleak. Then, in 2009 Paranormal Activity introduced the world to a new breed of horror film. Found footage had already been popularized by films like The Blair Witch Project, but never had the fear felt this close to home. I’m talking about the fear of an unknown entity in the very place we believe to be safe, at home. Whether or not its ghosts, we’ve all felt this uncertainty in the late hours of the night. In fact, this fear is so universal Paranormal Activity received the same treatment as so many of the Japanese ghost stories proceeding it. A remake.

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Shocktober Day 28: Rare Exports: A Christmas Tale

Rare Exports: A Christmas Tale (2010)

I don’t know about you, but I find it annoying how at the tale end of October stores put up Christmas crap. Just today I saw a display of advent calendars next to a bunch of pumpkin tote bags. It looked terrible. Can we not wait another month? At least let one Holiday have its moment. Sometimes I think there’s a war on Halloween! It’s like Christmas is some bully who always gets what it wants.

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Shocktober Day 27: Trollhunter

Trollhunter (2010)

Another one from the folksy heart of Norway. I give you Scandinavia’s answer to Cloverfield, Trolljegeren aka “Troll Hunter,” is despite its terrible SyFy Channel sounding name, one of the most exciting films ever made in the world of found footage. The suspense is palpable as we follow the routines of gruesome behemoths and even learn a little bit about Norwegian folklore along the way.

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Shocktober Day 26: Dead Snow

Dead Snow (2009)

What does one envision when thinking of Norway? Snow? Skiing? That show where Steven Van Zandt wears an Elvis wig and parodies every Italian stereotype? How about Nazi zombies? That’s right. Dead Snow is a movie about the only thing scarier than Steven Van Zandt. Dead Snow is a movie about a group of medical students who get attacked in the mountains by Nazi zombies. I’d read about the film on the interwebs for years but had always been hesitant. I mean, Nazi zombies? It sounds funny in theory, but where do you go from there?

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Shocktober Day 25: Them

Them (2006)

Another last minute Shocktober pick, selected for the fact it’s only a couple minutes long. Okay, a little more than a couple minutes. Them—not to be confused with the movie about giant ants—runs a lean mean 74 minutes. At least an hour of this is spent running around a house from intruders and screaming and crying. Not really something I’d normally be interested in. There has to be hundreds of home invasion gone awry horror movies. What separates Them is its pure minimalism and deeply disturbing yet deeply satisfying twist.

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Shocktober Day 24: Shutter

Shutter (2004)

Before Shutter, I had never seen a Thai film. I’m not sure I could even tell you what one looked like. Ong-Bak, maybe? Does The Hangover Part II count? Ha, just kidding, I know it does. Though I had no idea what to expect from Shutter, which turned out to be great because it totally took me by surprise. I loved almost everything about this film. From the great gimmick of only seeing a ghost via a camera and photos, to the film’s mystery, right down to the decayed design of the spirit itself. Apart from maybe a few too many jump scares I don’t have issue with Shutter. This film is a unique and continually unnerving experience, just like The Hangover II.

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Shocktober Day 23: A Tale Of Two Sisters

A Tale Of Two Sisters (2003)

Since I can only go off the way John has described the kinds of early ’00s Asian horror films he’s been talking about in the last few entries (I haven’t seen any of them), I’d say South Korea’s A Tale Of Two Sisters probably falls into same category of horror movie as something like Dark Water or Ringu.  What we have here is a film that could be described as a dark psychological drama, and yet has an undercurrent of the macabre that gives its familial anguish an extra amount of punch.  And though I’m probably a tad bit more familiar with modern Korean cinema than horror movies from that part of the world (though that’s not saying much), A Tale Of Two Sisters‘ nimble mixture of elegance and ugliness has me wishing I wasn’t such a dummy when it comes to these kinds of movies. Continue reading