John Otteni

I made a mockumentary about hunting vampires

Oscars Fortnight: Ordinary People

Ordinary People (1980)

The 53rd Academy Awards (1981)
Nominations:
6
Wins: 4

Every year when we do our “Oscar’s Fortnight” or “March to Ten Wins,” or whatever we call it now, I find myself tiptoeing around the 1980s. In the five years we’ve done this segment, I’ve only reviewed one 1980s film: Dangerous Liaisons (still can’t spell it). This isn’t an accident.

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Oscars Fortnight: Elmer Gantry

Elmer Gantry (1960)

The 33rd Academy Awards (1961)
Nominations:
5
Wins: 3

Three years ago, I watched Burt Lancaster in the 1968 film The Swimmer and was blown away. There’s something about Burt’s raw physicality and charisma, but also his vulnerability, that captivated me in that performance. His character, Ned Merrill, is this charming, handsome, confident guy, but as we delve deeper, we discover he’s actually a scared, depressed, and much darker figure than we were led to believe.

The character of Elmer Gantry is similar in that he projects confidence and thoughtfulness, but the real Elmer is conniving and self-centered. It’s a façade that we see through right from the beginning, as do many of the characters in the film, yet people can’t seem to look away. He creates a “cult of personality,” which makes watching this film in 2025 eerily relatable.

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Fe-Burt-uary: The End

The End (1978)

Before Fe-Burt-uary, I had been dismissive of Burt Reynolds’ film career. I even went so far on a recent podcast as to unfavorably compare Burt to Dwayne Johnson, as two actors who care more about their celebrity than being artists. I was wrong. As a Millennial, the only Burt performances I was familiar with for most of my life were Deliverance, which is celebrated more as an ensemble piece than a Burt vehicle, and Boogie Nights, where Burt is great, but his performance is overshadowed by being another notch in film auteur Paul Thomas Anderson’s belt.

This month, I’ve learned that Burt did care about being an artist. He was never one to turn down a big paycheck for a dumb action flick, but he was also interested in telling good stories and broadening himself as a performer. Just this month, I’ve learned about Burt the action star, Burt the comedian, Burt the dramatist, and now, Burt the director. Where do we start? What better place than with The End?

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Fe-Burt-uary: Starting Over

Starting Over (1979)

It’s a special week for Fe-Burt-uary! Not only is it Valentine’s Day, but this week also marks what would have been Burt Reynolds’ 89th birthday, his birthday was February 11th. Sadly, Burt passed away from a heart attack in 2018, leaving behind a rich legacy of 20ish box-office hits, a successful sitcom Evening Shade (CBS, 1990–1994), seven Golden Globe nominations and two wins, two Emmy nominations, and a single Oscar nomination. After watching Starting Over, I would argue that it should have been two Oscar nominations.

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Fe-Burt-uary: Semi-Tough

Semi-Tough (1977)

After several failed attempts to convince my fellow Mildly Pleasers to do a Burt Reynolds-themed month (Novem-Burt could have been something beautiful) for our movie podcast, The Pick, I’ve made the difficult but necessary decision to go it alone and devote four Fridays this month to Hollywood’s top-grossing star from 1978 to 1982.

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John’s Top Ten Movies of 2024

Every year we ask ourselves “Was BLANK a good year for movies?” But I don’t care about that. All I care about is whether BLANK was a good movie year for the FREAKS and PERVERTS. If you’re wondering what the hell I’m talking about, it’s whether or not it was a good year for horror and was it a good year for horny movies.

For horror we had; Abigail, The First Omen, Late Night with the Devil, Longlegs, Oddity, and Strange Darling to name a few critical hits.

For horny we had; Anora, Babygirl, Challengers, Hit Man, Love Lies Bleeding, and Queer. I’d name more but my hands are getting sweaty.

That leaves everything else. Which was good too. I wish I’d seen Nickel Boys and A Real Pain but decided on Strange Darling at the last minute because it felt like more of a John movie. Except it only made my honorable mentions so I probably should have gone the other way. I’m sure Colin will cover those other two.

Here’s a list for the freaks and perverts:

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