John Otteni

I made a mockumentary about hunting vampires

Shocktober Day 7: The Other

The Other (1972)

Movies like this are the reason I continue to do Shocktober. Just when you think you’ve scraped the bottom of the horror barrel you find something so good you’re baffled its been hiding away for all these years. The Other is one of the most disturbing movies I’ve ever seen for a Shocktober entry. There are no throwaway, “Gotcha!” moments here. The Other instead goes for that slow burn of uneasiness that when finally extinguished still leaves you shaking in the dark like a frightened child. Who could be responsible for such a hidden horror classic… The director of To Kill a Mockingbird? That’s right. But let’s talk about Robert Mulligan’s “other” classic.

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Shocktober Day 6: Frogs

Frogs (1972)

I don’t know how many times in my life I have walked into a Blockbuster, or a Video Update or a Hollywood Video only to come face-to-face with the VHS cover for Frogs. Did I ever think to look at the back? No. Did I ever read up on it? Heavens no. All I needed was to look at the cover with a frog chomping down on a human hand and I was content. Why did I have to ruin that memory by actually watching the movie? I don’t know but let’s find out.

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Shocktober Day 4: Willard

Willard (1971)

At first glance I thought this film may have been made-for-TV after every copy I found online appeared to be taped off of your Uncle’s VCR. Though research tells me this film was a theatrical release and a bonafide box office hit in the summer of ’71. Can you believe there was a time when a movie with no star power about a young man and his rat pals could be a hit? Let me introduce you to Willard.

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Shocktober Day 3: The Bird with the Crystal Plumage

The Bird with the Crystal Plumage (1970)

Initially, I was going to review the Vincent Price thriller, The Abominable Dr. Phibes for Shocktober Day 3, but I had a change of heart because I wanted to show that the 1970s were more than campy monster movies and splatter films. So instead I proudly present the directorial debut from Italian Giallo director Dario Argento “L’uccello dalle plume di cristallo” or in English, “The Bird with the Crystal Plumage.” What is “Giallo” exactly? Apparently, “Giallo” is Italian for “Yellow” which gets me nowhere. Digging a little deeper I found that in Italy you used to be able to purchase pulp murder/mystery novels with unique yellow covers. Though what makes a film distinctly Giallo? Let’s find out with my take on The Bird with the Crystal Plumage.

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Shocktober Day 1: The Wizard of Gore

The Wizard of Gore (1970)

Blood. Guts. Gore. If there’s one thing 1970s horror movies accomplished it was unleashing exploitation cinema upon the world like a deranged lunatic. Of course, no one was more deranged than Herschell Gordon Lewis. At least that’s what I have been told to believe. I, like many, first became aware of the “Godfather of Gore” through the blood-curdling shock fest that is Juno. If you don’t recall the scene, a puzzled Ellen Page finds a tape of The Wizard of Gore on Jason Bateman’s coffee table. Bateman responds by saying “Oh yeah. It’s Herschell Gordon Lewis. He’s the ultimate master of horror.” Later in the film, they sit down to watch the film and enjoy it. Now that I’ve finally seen The Wizard of Gore I can tell you that Jason Bateman is full of shit.

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Shocktober: Seventies Screamers

Shocktober. 31 Days. 31 Movies. 31 Nightmares. If you thought I’d be running out of ideas after almost 7 years you’d be dead wrong. In fact, this year may be the best or should I say BEAST yet. Continuing the themed lists that started in 2011 with “Shlocktober”, followed by “I Love the 80s” in 2012 and “Terrifying 2000s” in 2013, this year is “Seventies Screamers”. Don’t let the bad title fool you, this is going to be ghoulish good fun.

But why the 1970s? If you’re a student of film chances are you’ve heard the term, “New Hollywood”. This was a time in the 1970s when many American filmmakers came to prominence and shaped the era into the decade of the director. We all know about the greats like Scorsese and Coppola but it wasn’t just dramatic directors making their mark. Many masters of horror emerged in the 1970s. Talents like David Cronenberg, John Carpenter, Wes Craven, Tobe Hooper (a few of which we’ll be talking about) stomped their bloody cinematic footprint in the 1970s. Not to mention filmmakers in other parts of the world rose to greatness. Italian filmmakers like Lucio Fulci and Dario Argento became the top names in the Italian “Giallo” movement. Additionally, we finally started seeing horror films emerge from the land down under… No, not hell, Australia.

The 1970s saw plenty of trends, some good and some bad, but all worthy of discussion. There were Giallo films, slasher films, exploitation films, and a weird fascination with killer animals. We’ll talk about all that and more this month and by “We’ll” I mean that I’ll be joined this year by fellow Mildly Pleaser Colin Wessman. So sit back, relax, and remember, it’s only a movie, it’s only a movie, it’s only a movie….

Stream Police Ep 08: Keep the Lights On

This week Michael and John review filmmaker Ira Sach’s half-autobigraphical 2012 drama, Keep the Lights On , along with sharing some of their favorite films of 2014. Also, there are apparently five Prophecy movies but only three with Christopher Walken. If you find that even remotely interesting then check us out!