John Otteni

I made a mockumentary about hunting vampires

2015 Music Roundup: Wilder Mind

Mumford & Sons – Wilder Mind

Mumford & Sons rise to prominence has never ceased to amaze me. It stems from when I first saw the group perform live at the 2010 Sasquatch Music Festival. Few people knew them and they played on one of the smaller bullsh*t stages. They had 66th billing on the concert poster, which means they were even lower than The Lonely Forest. For some perspective, in 2006 my former band The Defenestrators played with The Lonely Forest. By 2013, not only were Mumford & Sons headlining Sasquatch, their second album had won a Grammy for Album of the Year. All of this through the power of folk. A power so strong it even spawned folk knock offs like the Lumineers and Phillip Phillips, but there was only one Mumford.

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A Head Full of Terrible, Terrible Music

Coldplay – A Head Full of Dreams

Since when did Coldplay start writing New Age music? Look at these track names: “A Head Full of Dreams”, “Birds”, “Hymn for the Weekend”, “Everglow.” I literally named the first four tracks in order. This is a rock band, right? Not that Coldplay ever rocked that much to begin with, but what is this? Does Chris Martin need this much cheering up after his split with G-Pal? First, he had to record the equivalent of him crying into a pillow with Ghost Stories and now he’s like, “Everything’s good y’all!” as if the mere concept of being alive is like living in a euphoric Candyland.

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2015 Music Roundup: Beauty Behind the Madness

The Weeknd – Beauty Behind the Madness

When I first became aware of The Weeknd I wanted no part of it. The spelling? No Thnks. Performing at the VMAs? Yeah, that’s cool, to a sixteen-year-old. The Fifty Shades of Grey soundtrack? More like Fifty shades of Go Away. Then I heard the song “Can’t Feel My Face” on the radio. At first I was like, “This is terrible.” Then the chorus dropped. By the end, I was grooving so hard I almost crashed my car into a ravine. For those not familiar with the process of streamcutting erosion, a ravine is a deep, narrow gorge with steep sides.

Beauty Behind the Madness is the second album from Canadian-born artist Abel Tesfaye aka The Weeknd. Breaking out in 2012 after some buzzy mixtapes, The Weeknd slowly took over the airwaves with a sound Wikipedia has labeled “PBR&B,” a portmanteau of Pabst Blue Ribbon and R&B. I really want to punch whoever came up with that. Though I get it. The Weeknd isn’t easy to categorize. Even at his most mainstream, “Can’t Feel My Face,” The Weeknd sounds like Michael Jackson covering “Fly Like an Eagle.” Though isn’t that all we’ve ever wanted?

There’s some infectious beats backing The Weeknd’s delicate delivery, but there’s also some scary-as-sh*t sounding music here. Like, if I was on the dance floor and a Weeknd song came on, I could totally imagine turning around to find a phantom behind me. The Phantom of the Dancefloor. There’s the name of the next The Weeknd album. What I’m trying to say is, these aren’t happy dance songs. These songs moonwalk the fine line between sorrowful, sinister and drop dead sexy.

Singlewise take your pick. Apart from the face song you got brooding beaters “The Hills” and “Often.” There’s the song for those with unconventional desires with “Earned it,” and one of my favorites, the Kanye West produced “Tell Your Friends.” Which apparently uses a sample of a 70s song called “Soul Dog” so popular among the hip hop community, it has been prominently sampled in at least eight other recordings. Personally, I like this one best.

I wish the album was a little shorter. Not that 65 minutes feels like an endurance test, but there are some snoozers. Still, I’m intrigued to see where The Weeknd will go from here. More of the same? Maybe something more uptempo next time? I would love to see some more toe tappers, just as long as I’m not driving when I hear them. The world is a safer place when I keep my moves where they belong, at home.

Favorite Tracks: “Can’t Feel My Face,” “The Hills,” “Tell Your Friends”

2015 Music Roundup: Uptown Special

Mark Ronson – Uptown Special

December marks the time of year where we play catch up at Mildly Pleased. This means a lot of reviews of movies, music, and TV from months ago. Why anyone wants to know about them now is a good question. Anyways, here’s a review of a little something released all the way back in January. Enjoy.

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Top Ten Poon Collectables

With great success comes responsibility. It also means being f*cking rich! But Poon didn’t amass their great fortune overnight. It took years and years of selling out. In Poon’s forty something years of existence, they made everything from toys to fruit snacks, to interactive love dolls. Here’s a list of the group’s most sought after items.

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Jurassic Puke

The Good Dinosaur

Pixar has lost its individuality. Don’t get me wrong, the beloved studio still makes ambitious films. Inside Out was one of the most conceptually ambitious films I have ever seen. What I mean is it is becoming more and more common for Pixar films to look and feel like films produced by other studios. Brave is How to Train You Dragon, The Good Dinosaur feels like a recycled Ice Age plot line and Cars 2 feels about as bold and exciting as that Fox film about the racing snail. Pixar is no longer the king of the CGI world. Even films being produced under Disney’s regular ‘ol Animation Department are rivaling Pixar. Anyone see Big Hero 6? I cried for days.

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