Colin Wessman

I love those oldies and hoagies, give me some beefcakes and cheesesteaks

Criterion Month Day 6: A Raisin In The Sun

A Raisin In The Sun (1961)

As you might guess, my desire to watch and review A Raisin In The Sun came out of the passing of the great Sidney Poitier earlier this year. While the film may not be one of the most widely seen in his filmography, it still feels crucial in capturing what might be Poitier’s defining role on the stage. After diving a bit into some of Poitier’s other films throughout this year, it was refreshing to see Poitier here in the kind of role that’s a little pricklier than the film roles he’s known for. Virgil Tibbs is probably the definitive example of the ultra-competent professionals he plays in movies that are just as much about his characters themselves as they are about white people’s relationships with their own prejudice toward them. However, in this film with an almost entirely Black cast written by one of the shining stars of mid-20th century theater, he’s able to do something a little more complex and nuanced, which can also be said about the film’s depiction of an African-American family trying to escape their cramped apartment in Chicago. Continue reading

Criterion Month Day 4: Journey to the Beginning of Time

Journey to the Beginning of Time (1955)

It’s another 4th of July and of course for the sixth year in a row I am the one reviewing a movie on this increasingly cursed holiday. As is the case most years, the movie I am reviewing is not terribly American, even though an edited and dubbed version was released in the U.S., while the film’s title does evoke the journey our Supreme Court justices apparently want to take our basic human rights on (hey-o!). Anyways, I was compelled to check out another one of Karel Zeman’s movies after reviewing the singular Fabulous Baron Munchausen a couple years ago. Though Journey to the Beginning of Time may not be quite as visually inventive as that film (but let’s be honest, few are), it still feels crucial in establishing Zeman’s output of dazzling feature films in the ’50s and ’60s while also presenting a refreshingly thoughtful take on effects-driven science fiction. Continue reading

Criterion Month Day 1: The Cameraman

The Cameraman (1928)

Welcome to another Criterion Month! It often feels like July is one of the less convenient months to incur this much writing on ourselves when July is the month of summer vacations and getting out in the sun and whatnot. This year, that’s the case to some extent, since we just got back from a destination wedding for Mildly Pleased contributor Matt Carstens, but hopefully have had enough recovery time to dive into another month of reviewing movies in the Criterion Collection. As is the case most years, we start our month in the silent era as well as the lone entry in The Collection from one of silent cinema’s true geniuses, Mr. Joseph Frank Keaton. Continue reading

The Sixth Annual Criterion Month Draft

With July less than two weeks away, it’s about time we draft our picks for Criterion Month once again. This is the annual podcast where the three of us take turns picking what movies from the Criterion Collection we’d like to review on this blog over the course of next month. Most years there aren’t a ton of stolen picks, and sorry to disappoint you, that is once again the case this year. That said, we all had a lot of fun talking about revered movies we haven’t seen yet but are excited to talk about in 30(ish) days of somewhat rushed reviews that are published just in time before the stroke of midnight. Continue reading

The Pick: My Big Fat Greek Wedding

Since it is wedding season, we’re taking a look at the biggest, fattest, Greekest one the movies have ever seen. John’s got some bones to pick with this light and breezy romantic comedy, while also marveling at the fact that it was an absolute monster hit back in 2002. Also, since this is the end of this admittedly short season, we take a look back at The Pick’s past with a quiz delving into the 58(ish) episodes we’ve recorded so far. Opa! Continue reading

Colin’s Favorite Albums of May 2022

This month saw quite a few familiar faces returning with both highly anticipated and mildly anticipated albums alike. Some of the ones that fell more into the latter category I just haven’t had much time to dig into despite being Colin favorites, since they came out toward the end of the month (like Wilco’s Cruel Country or Craig Finn’s A Legacy of Rentals). Also, as much as I always look forward to a new Sharon Van Etten album, for whatever reason, her new We’ve Been Going About This All Wrong hasn’t quite been hitting with me. Maybe this is because much like I found with 2014’s excellent Are We There, her music is just a little hard to embrace during the sunnier parts of the year, even if this summer has already manifested just how much we’ve been going about this all wrong. Continue reading

The Pick: Jupiter Ascending

This time around, we round out our trio of episodes looking at The Wachowskis’ misunderstood non-Matrix movies. We discuss why this one has had less of a cult following than Speed Racer or Cloud Atlas since its release, as well as why audiences didn’t connect with it at the time despite its efforts to craft a grand, new sci-fi franchise born of original IP. Also, just in time for Summer, we dive into some cold beverage talk in our little picks. Continue reading