Oscars Fortnight: The Conversation

The Conversation (1974)

47th Academy Awards (1975)
Nominations:
3
Wins: 0

A few days ago I finished Mark Seal’s 2021 book Leave the Gun, Take the Cannoli, about the making of The Godfather. I imagine The Godfather is on a lot of people’s minds after the untimely passing of Robert Duvall.

Before reading this book, I always thought Coppola’s 1974 neo-noir thriller The Conversation was a style exercise for Coppola, a brief interlude between epics, a palate cleanser, if you will. It may have been those things, but I didn’t know until reading Mark Seal’s book that Coppola wanted to make The Conversation before The Godfather. The Conversation was his passion; The Godfather was just a gig, before it grew into something bigger than a cheap adaptation of a pulp crime novel.

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Oscars Fortnight: The Godfather Part III

The Godfather Part III (1990)

63rd Academy Awards (1991)
Nominations: 7
Wins: 0

This year we waited until there was less than half a fortnight until the Oscars to start our annual review series, so welcome to Oscars WEAK: a week of reviews of best picture winners and nominees. For my part, I’ll be starting with 1990’s The Godfather Part III, or, more specifically, the recut version director Francis Ford Coppola put out in 2020 for its 30th anniversary: The Godfather Coda: The Death of Michael Corleone. It’s the end of a journey that started late last year when YouTube started randomly(?) showing me clips from 2022 miniseries The Offer, the Miles Teller-led streaming prestige project about the production of the first Godfather (and how ultimately it was just as important as The Longest Yard). Intrigued by the amusing voices the entire cast seemed to be doing, I eventually caved and watched the whole thing, and, naturally, after those 10 episodes I had to rewatch The Godfather and then Part II. And you know what, they’re still pretty good.

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