Criterion Month Day 4: Sweet Smell of Success

Sweet Smell of Success (1957)

Who doesn’t love some juicy gossip? For as long as we’ve had famous people, we’ve had other, lesser people starting some shit about them. Nonetheless, and rather inexplicably, the jury’s still out on whether that’s a good thing or not. Mostly you’d think we’d condemn the rumor mill for appealing to our basic bitch jealousy and false sense of superiority, but what about the ever-important gossip whispers that have snowballed into the social outcries that exposed and kinda, a little bit brought down evil men like Bill Cosby and Harvey Weinstein? In the era of #MeToo and Instagram followers and Yelp ratings and Uber ratings and Letterboxd ratings, maybe we’re actually living through peak gossip right now? Or maybe it was the late 1950s, when Sweet Smell of Success came out?

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Criterion Month Day 3: Summertime

Summertime (1955)

On the surface, I thought I’d be walking into familiar territory with 1955’s Summertime, since its basic plot does bear some resemblance to my last movie, Now, Voyager. This is another story about a lonely woman going on a vacation in the hopes of finding herself and some peace of mind, set during a time when female independence was a bit of a rarity. But as this film shows, there are many ways to tell a similar story, as the more somber tone of Now, Voyager is miles away from the picturesque, unabashedly romantic mood of Summertime, which revels in the rebirth that a trip abroad can bring, even if such things are never meant to last. Continue reading →

Criterion Month Day 2: Now, Voyager

Now, Voyager (1942)

Most years, I start my Criterion Months somewhere in the depths of the golden era of Hollywood’s studio system, and this year is no exception. Though this year I’m starting with one of that era’s genres that sometimes gets overlooked in the grand scheme of film history and serious critical analysis, most likely due to filmmaking’s old friend, sexism. This genre would be the reductively-named “women’s picture”, which were a certain type of melodrama, typically revolving around a female character’s personal journey. One of the great stars of this genre (along with her nemesis Joan Crawford) was Bette Davis, and Now, Voyager has been regarded as one of the best examples of Davis’s work in this genre, which I found to be very much a product of its time, but also felt very unique in its depiction of mental health struggles. Continue reading →

Criterion Month Day 1: His Girl Friday

His Girl Friday (1940)

The 1928 play The Front Page by Ben Hecht and Charles MacArthur has been adapted for the screen four times but its second film version, 1940’s His Girl Friday, is certainly the most consequential. That’s because director Howard Hawks had the inspired idea to change one of the central characters, Hildy Johnson, into a woman, completely changing the story’s dynamic. Instead of simply a story of a weary reporter trying to turn over a new leaf, we get that plus all sorts of mid-century gender dynamics! It’s a good time now hurry up and get in here.

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The Ninth Annual Criterion Draft

As June turns to July, we once again set our eyes on reviewing various films that have entered the Criterion Collection over the course of what we like to refer to as Criterion Month. Call it our own little corner of the Criterion Closet filled with films we’ve never seen, some potentially aligning with our tastes and some that we’ve put off seeing since they inherently might not. Once again, some of us go for themes and some of us don’t, but the one constant is that while picking which movies to review, we only have a vague sense of what we’re in for. The fun begins in just one day! Continue reading →

Mission: Accomplished

Mission: Impossible – The Final Reckoning

It’s easy to mistake hubris for ambition. In 2018, Christopher McQuarrie became the first director to make multiple Mission: Impossible movies when he went out and topped his own Rogue Nation with Fallout, arguably the franchise’s critical high watermark and certainly its biggest box office success. Having overcome innumerable obstacles in making that movie and no doubt riding high on accomplishing what no one thought could (or even should) be done, it only took a few months for series star Tom Cruise to announce that McQ would be helming an additional two Missions, to be shot back-to-back. The challenge was set, and so the universe went out of its way to make this called shot as damn near impossible as it could possibly be. Mission had never had a returning director before, now McQ will have made half the series – will that kill the magic? The franchise has thrived thanks to Tom Cruise’s dedication to death-defying stunts – can he keep topping himself as he enters his sixties? Fans like me were nervous, but it turns out those were the least of their problems.

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The Pick: 27 Dresses

It’s wedding season at Mildly Pleased, so we took a look at one of the most wedding-fetishizing romantic comedies ever made. You won’t believe how many dresses Katherine Heigl wears! Or perhaps you will, because it’s right there in the title. Either way, the boys have fun discussing the rise and fall of Miss Heigl, the affable blandness of James Marsden, the annoying New York accent of Edward Burns, and Malin Akerman’s very brief run as a Hollywood It Girl. Yes, it’s not a great cast by any means, but it screams 2008 as much as this movie’s comfort food take on pre-recession wedding woes. Continue reading →