Miyazaki Month: Castle in the Sky

Castle in the Sky (1986)

Castle in the Sky is probably the Miyazaki film I knew the least about going in. If you guessed it’s about a floating castle, then you’re correct! Castle in the Sky further demonstrates Miyazaki’s passion for aviation in a light-hearted adventure flick. While Miyazaki’s tendency to base stories around fantastical creatures takes a backseat, his same proclivity for fantastical flying machines is in full force. Castle in the Sky is a dazzling flurry of dog fights over the blue sky. Though it may not be one of Miyazaki’s more iconic works, it is still a work with a great deal of artistic merit.

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Miyazaki Month: Nausicaä of the Valley of the Wind

Nausicaä of the Valley of the Wind (1984)

Back in the early 90s, my family used to visit a small-time video store in Kirkland, WA called “Critic’s Choice”. There you could get all the latest releases on tape or even fancy schmancy laserdisc. As a child I alternated between renting a handful of classics; Milo and Otis, DuckTales the Movie, Gargoyles, but perhaps my most unusual choice was a film called “The Warriors of the Wind”. Before I go any further, just look at the original cover to Warriors of the Wind. Pretty awesome huh? It’s like if Star Wars and He-Man had a sexy baby. Though whenever I popped this movie into the VCR I was always confused. Despite the cover, Warriors of the Wind is not about a Luke Skywalker-type that rides a giant sand worm while fighting some kind of alien-ghost with a lightsaber. Warriors of the Wind isn’t even the actual title, it’s Nausicaä of the Valley of the Wind and it’s the beginning of Hayao Miyazaki’s storied career.

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Miyazaki Month

For over thirty-years, Hayao Miyazaki has astonished and moved audiences worldwide. Miyazaki has crafted numerous unconventional, yet powerful emotional stories. Of course let’s not forget Miyazaki’s artwork, still unparalleled today. February 21st marks the U.S. release of Miyazaki’s latest work, The Wind Rises. A film I hope to see when it opens at the Seattle Cinerama. In honor of the film’s release, I have decided to attempt to watch all of Miyazaki’s films and hopefully share my opinions here at Mildly Pleased. I’m not sure how this is going to go down and whether or not I can get anyone else at Mildly Pleased involved but it should prove to be interesting. Let the magic begin!

The Vault: Blax History Month

Dolemite (1975)

I wanted to end on something light for “Blax History Month”, though I’m not sure if “light” was Dolemite’s intention. I selected the film because of its eccentric star Rudy Ray Moore, one of the strangest yet oddly compelling blaxploitation figures. Moore has this bizarre way of acting where he yells all his lines like a robot practicing to be a human. It’s difficult to tell at times if the former comedian is serious or playing an Andy Kaufman-esque joke on everyone.

It’s difficult to tell at times if the former comedian is serious or playing an Andy Kaufman-esque joke on everyone. Dolemite is bad but due to the fact that it was made by a former comedian, you have to wonder if that’s part of the joke. On the other hand this could be a comedian trying to make a transition into action and then failing miserably. Either way, Dolemite is worth a laugh and has classic strings of nonsensical dialogue.

Rudy Ray Moore plays Dolemite, an imprisoned pimp who can’t go two minutes without saying “Muthafucka'”. Dolemite catches a break when the warden and a whorehouse manager Queen Bee (Lady Reed) setup a deal. Framed for drugs, Dolemite is given the opportunity to secure his freedom by busting drug dealer Willie Green (D’Urville Martin, also the film’s director). The plot makes no sense, it’s like something a kid would come up with at recess if he wanted to play blaxploitation. If Dolemite had any information the police would probably work off of that, not free Dolemite and let him run amok. Once he is released, Dolemite teams up with an army of his

The plot makes no sense, it’s like something a kid would come up with at recess if he wanted to play blaxploitation. If Dolemite had any information the police would probably work off of that, not free Dolemite and let him run amok. Once he is released, Dolemite teams up with an army of his ho’s and goes around beating the shit out of people. He even makes a guy dance by firing a machine gun at his feet, yeah he definitely shouldn’t be in prison.

I can accept the ridiculousness of the plot considering the film’s low budget. The acting is atrocious with Rudy Ray Moore being the worst offender. The film quality is so-so but if you like boom mics you’ll be happy. Let’s not forget the action.

Every fight between Dolemite and gang members is so obviously choreographed. They all move so slowly as if they’re trying as hard as they can to not forget their moves but not actually getting hurt. It’s hilarious, I can’t believe they kept it all in.

A few years back, Michael Jai White made Black Dynamite, a hilarious homage/parody to blaxploitation. Dolemite is the closest I’ve seen to a blaxploitation movie that feels like Black Dynamite. You get the hokey acting, confusing plot, technical errors, I wasn’t aware how on-the-nose Black Dynamite was. Though all in all, I did enjoy Dolemite, not because it was good but because it was fun. I ain’t no cynical muthafucka’.

The Vault: Blax History Month

Blacula (1972)

Finally, something I can sink my teeth into. As a horror fan, I was intrigued to see Dracula re-imagined as a seventies soul Brutha. Did Blacula deliver? Actually, it did. Blacula doesn’t aspire to be anything more than funky b-movie fun, and it works. Of course, it launched a whole sub-genre of Horror/Blaxploitation films that includes; Scream Blacula Scream, Blackenstein, and Homer Simpson’s favorite, The Blunchblack of Blotre Blame.

The film stars William H. Marshal, known by later generations for his portrayal of the King of Cartoons on Pee Wee’s Playhouse. Here Marshall plays Prince Mamuwalde, the ruler of the Abani African nation in the year 1780. During this time Mamuwalde and his wife Luva (Vonetta McGee) seek help from who else but Count Dracula (Charles Macaulay) to suppress the slave trade. It’s a history lesson come to life! But because Dracula is a dick, he kills Luva and turns Mamuwalde into a vampire, imprisoning him in a coffin for 192 years.

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The Vault: Blax History Month

Sweet Sweetback’s Baadasssss Song (1971)

“Sweet Sweetback’s Baadasssss Song”, that’s possibly the best title for a movie ever conceived. Melvin Van Peebles’ bizarrely titled Urban art-film is not your typical blaxploitation film. Whereas I criticized Shaft for still feeling like a reflection of white Hollywood, Sweetback is anything but. The film’s opening text sums it up perfectly: “This film is dedicated to all the brothers and sisters who had enough of the man.” I admire Sweetback’s balls. As for the actual craft behind the film, Sweetback leaves a lot to be desired.

The film begins in a dream-like past where a starving young boy (Mario Van Peebles) is taken in by a group of prostitutes. While working at the brothel the boy loses his virginity and is named “Sweetback” for his superior boning abilities. As an adult (Melvin Van Peebles), Sweetback performs sex shows at the brothel in front of a rowdy audience. Though the show is just him taking off all of his clothes and then boning a woman.

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The Vault: Blax History Month

Shaft (1971)

Shaft may not have been the first Blaxploitation film, but it was the first blaxploitation film to become a cultural phenomenon. Black audiences finally had their own action hero and he didn’t take any shit. He was the black private dick that was a sex machine to all the chicks. But if it wasn’t the first blaxploitation film why did it resonate? Was it just a happy accident? Interest in blaxploitation projects had been building after MGM found success with Cotton Comes to Harlem (1970). So MGM followed with the pursuit of the next badass brother… And they found him.

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