John Otteni

I made a mockumentary about hunting vampires

Criterion Month Day 16: Picnic at Hanging Rock

Picnic at Hanging Rock (1975)

I read on article on that Wikipedia all the kids are talking about. It was called “List of films considered the best”. The article breaks down the most critically acclaimed films by genre and polls. There are Audience polls, Critical polls, and National polls. That last one assigns one or two films to every country as that nation’s defining work. Like did you know the most acclaimed film from the Ukraine is a film called “Shadows of Forgotten Ancestors”? You do now! The US and the UK have a bunch of films comin’ for that number one spot. Who will win? Citizen Kane? The Godfather? Gone with the Wind? Probably not the last one.

Australia has two entries. One is a 1997 comedy called “The Castle” that Australian people suddenly decided was great in 2008. But for thirty-three years the choice for Best Film from Down Under was almost unanimous, Picnic at Hanging Rock. What was it about this turn-of-the-century drama about missing school girls that captured the heart of a nation? Why did this film connect so well with the rest of the world? And where did those girls go?

Continue reading

Criterion Month Day 11: Woman in the Dunes

Woman in the Dunes (1964)

Last month I wrote a list of my “Top 50 Favorite Horror Movies of the 2010s”. Something I noticed when reevaluating my favorite horror films of the last decade was the recent surge in “Transcendental Horror.” Movies like The Lighthouse and Midsommar that aren’t built on scares, rather existential dread. Movies that make you question your existence and if anything matters. The feeling of being trapped in life. I figured this was a recent phenomenon in cinema. Little did I know Hiroshi Teshigahara was making Transcendental Horror over fifty years ago.

Continue reading

Criterion Month Day 9: The War of the Worlds

The War of the Worlds (1953)

Why is this in the Criterion Collection? That’s the reason I picked this movie. I vaguely remember renting it from a video store (that’s now a bank) as a kid but wasn’t particularly engaged. Is it the first alien invasion movie? The Man from Planet X is earlier. Is it how the film uses an alien invasion to comment on the Cold War? The Day the Earth Stood Still and Invasion of the Body Snatchers do that better. It’s not even a good adaptation of HG Wells’ novel. What is this movie?

Continue reading

Criterion Month Day 1: Nanook of the North

Nanook of the North (1922)

This year my theme for Criterion Month was a film from every decade starting with the 1920s and ending with the 2010s. Criterion’s physical collection currently contains 21 films from the 1920s, four of which I’ve already seen. So I picked Robert Flaherty’s 1922 documentary Nanook of the North, which is one of those building-block films you hear about in film school. “This was the first film to do blank!” You get the idea. Nanook of the North is a film acclaimed for its storytelling techniques but not so much its actual story. That’s because the story is as Phil Collins might say “a pack of lies.”

Continue reading

John’s Favorite Horror Movies of the 2010s (Part 5) – The Final Chapter

We’re finally at the finish line! The Big 10! The Best of the Best! The oh-my-god-i’m-so-tired-of-doing-these-lists-please-make-it-stop! Are these the best? For now. I didn’t get a chance to revisit as many horror films as I’d hoped. Or even watch other horror movies I’ve heard are great but haven’t seen. There’s so damn many.

Again the order of these films was based on no metric. I went by my gut. One observation is we’re getting into a lot of horror movies I’ve already written about on this blog. If I can’t shut up about these movies I must like ‘em. So without further ado…

Continue reading