I know people who can’t stand black and white movies. As if B&W is the dial-up internet of cinema. I have a theory that these people don’t actually care about the color of the screen. These people hate old movies because old movies are slow, dated, and because everyone talks like they just fled England to colonize the New World. Which is fair. Though I would argue there are old movies that work as well today as they ever did, regardless of color, or lack thereof.
Have you ever seen, or bought, or maybe even read a copy of the film reference book “1001 Movies You Must See Before You Die”? If you haven’t or have no idea what I’m talking about it’s a book that spans the entire history of film with 1001 “Must See’s” as suggested by editor Steven Jay Schneider and over 70 film critics.
When I was eighteen and a young film geek in the making I vowed I would see all 1001 movies in that book. The plan made no sense considering there are constant updates and rereleases of the book every year. Still, I went for it. How did I fare?
Last weekend, 17-year-old goth-pop star Billie Eilish played a historic set at Coachella. At least that was the headline I read on Yahoo News, which is where I assume everyone gets their information. I became aware of Billie Eilish last February when I saw her video for “when the party’s over” on MTV Live. Yes, you can still watch music videos on TV if you stay up past 1 AM and browse through 900 channels. The video is a melancholy ballad backed by faint piano where Billie wearing all white in a white room drinks a glass of black goo which then streams out of her eyes. Kids love that black goo, they’re like the new Tide Pods! The video is creepy and gross yet beautiful which is the best way to describe Billie Eilish’s music.
If you haven’t heard, Larry Cohen passed away on Saturday, March 23rd at the age of 77. There’s so much to say about the maverick filmmaker. I feel bad I haven’t written more about the acclaimed cult writer/director on this blog. I have reviewed Cohen’s 1974 killer baby film (no, that’s not a typo) It’s Alive along with his 1985 satirical sci-fi dark comedy The Stuff but there’s so much more to dive into. There’s Cohen’s years as a blaxploitation pioneer with films like Black Caesar and Hell Up in Harlem. There’s God Told Me To, a trippy religious sci-fi flick. Q, a movie about the ancient god Quetzalcoatl taking the form of a stop-motion dragon and taking over the Chrysler building. I haven’t even got to the Maniac Cop series.
There’s a lot to admire about Cohen as a filmmaker but for me, two things come to mind. 1) Cohen was the “King of the Concept”. All his films had such bizarre yet tantalizing premises. They sound like awful B-movies from the fifties, yet they were smart and satirical pictures with great characters and even better monsters. 2) Cohen was the original guerrilla filmmaker. This is a man who would film killing sprees and cars speeding down the sidewalk in the heart of New York City. Cohen was a risk taker a “Whatever-it-takes” to get the shot kind of guy. He was passionate about his stories.
Cohen was never a household name but he had a long and fruitful career. From his early years, creating TV shows like Branded and Coronet Blue while still in his twenties, all the way to writing thrillers in the 2000s like Phone Booth for Joel Schumacher. The man was prolific and beloved among so many fans of so many sub-genres. There are so many stories about Cohen that writer/director Steve Mitchell made an excellent documentary about the man two years ago called King Cohen: The Wild World of Filmmaker Larry Cohen. Which is available on Shudder at the time of this review. Or better yet, check out a Cohen film. I think you’ll find he has the STUFF.
Do you believe in Rock and Roll? Well if you do and if you like the taste of cold gin, you’re gonna love this special episode of Rokk Talk. This week, John, Colin, and respected journalist/personal trainer/rock god Matt Carstens reflect on seeing KISS on their “End of the Road Tour”. Is the show worth a deuce? You’ll have to listen to find out!
Tomorrow, the entire Mildly Pleased staff is seeing Kiss on what has been sold as their final tour ever. I couldn’t be more excited. Yet if you asked me how I felt about Kiss I would also be the first person to tell you they suck. Call it a guilty pleasure but despite all of the shitty things about Kiss—the egos, the greed, the Kiss Casket—I love their theatricality and more importantly their music. Few acts in the annals of rock have so successfully merged pop songwriting with heavy metal. Fewer have done it while wearing capes and breathing fire.
Do you have any idea how many blockbusters are coming out this year? Do you even know? Disney alone is releasing three remakes of animated classics, two Marvel movies, sequels to Toy Story and Frozen, and a Star Wars. A STAR WARS! And that’s just Disney! Will this be the year the box office implodes on itself? Or it will be the opposite? Will, any of us make it to 2020? Will mankind survive?!?
With that proclamation of doom out of the way let’s look at John, Sean, and Colin’s most and least anticipated films of 2019! 🙂