Love Gun

 Sheer Mag – Need To Feel Your Love

Times are tough, shit is rough, and Sheer Mag feel like the perfect band to rock us into the apocalypse. Which isn’t to say there’s anything particularly doomy and gloomy about this band’s bubble-gummy amalgam of both punk and classic rock. And that’s not even to say that I actually think we’re careening towards some sort of global endgame in the near future. Though maybe that’s just the way I feel every time I listen to Need To Feel Your Love, and try to convince myself that the warring factions of the world could be united under the almighty power of rock and roll. Continue reading

Out And About

Waxahatchee – Out In The Storm

Waxahatchee is an artist that I’ve paid just enough attention to write about occasionally on this blog, but without really having a ton to say about. Which is to say that pretty much any album I go to the trouble of reviewing is most likely something I like. But then again, sometimes I just need something to write about, so why not write about a new Waxahatchee record? Well, I’m happy to say this isn’t one of those times, since this is probably my favorite batch of songs from Katie Crutchfield yet, and proof that she’s just a really fantastic songwriter who’s probably gonna be sticking around for a while. Hmmm… actually, that was pretty vague and non-specific, so maybe I won’t have anything insightful to say about Out In The Storm. Continue reading

Poplife Crisis

Does maturity have any place in pop music? As someone who doesn’t listen to a lot of contemporary music that would be considered “pop”, I don’t know that I’d be the one to answer that. But I want to say the answer is “yes”, and especially in regard to the current generation of pop music that not only has the potential to achieve cultural ubiquity, but critical ubiquity as well.

I’m not exactly sure when this shift happened, where pop artist started being taken seriously as just that – artists. But you could make the case that it happened around 2013, when Haim released their supremely awesome debut Days Are Gone, while that year also saw the release of Lorde’s Pure Heroine. This shift probably has something to do with us millennials having less discriminatory taste, and a general willingness to embrace any and all things, whether they’re massively popular or not. Also, I will admit that talking about “millenials” as a thing in general makes me feel about a million years old, but just stick with me here. Continue reading